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FF DIN is a sans-serif typeface in the industrial or "grotesque" style.It was designed in 1995 by Albert-Jan Pool, based on DIN-Mittelschrift and DIN-Engschrift, as defined in the German standard DIN 1451.
DIN 1451 is a sans-serif typeface that is widely used for traffic, administrative and technical applications. [1]It was defined by the German standards body DIN (Deutsches Institut für Normung, 'German Institute for Standardisation', pronounced like the English word din) in the standard sheet DIN 1451-Schriften ('typefaces') in 1931. [2]
Lucida Grande (former Mac OS X system font, used from Mac OS X 10.0 to Mac OS X 10.9) Designer: Charles Bigelow, Kris Holmes Class: Humanist : Lucida Sans Designer: Charles Bigelow, Kris Holmes Class: Humanist : FS Me Designer: Jason Smith Class: Humanist : FF Meta Designer: Erik Spiekermann Class: Humanist : Microsoft Sans Serif Designer ...
Download QR code; Print/export Download as PDF; ... The "Included from" column indicates the first edition of Windows in which the font was included. Included ...
DIN 66008-6: Font A for optical character recognition; characters and nominal dimensions; extension of the character set: Active: DIN 66008-7: Font A for optical character recognition; representation of characters by dots in a 9 × 9 matrix: Active: DIN 66009: Font B for optical character recognition; character: Withdrawn: DIN 66020-1
Whilst the DIN typeface used a proportional font, the FE-Schrift is a monospaced font (with different spacing for letters and numbers) for improved machine readability. Faked FE-Schrift letters (e.g., "P" to "R") appear conspicuously disproportionate.
Wingdings is a TrueType dingbat font included in all versions of Microsoft Windows from version 3.1 [4] until Windows Vista/Server 2008, and also in a number of application packages of that era.
Univers (French pronunciation: ⓘ) is a sans-serif typeface family designed by Adrian Frutiger and released by his employer Deberny & Peignot in 1957. [1] Classified as a neo-grotesque sans-serif, one based on the model of nineteenth-century German typefaces such as Akzidenz-Grotesk, it was notable for its availability from the moment of its launch in a comprehensive range of weights and widths.