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Cambodia's first alternative music label Yab Moung Records was founded in 2012 and has since recorded and released the first Khmer Hardcore and Death Metal tracks as well as producing a wide range of alternative artists creating unique Khmer blues, rock, hip hop and alternative music.
He was given a copy of the album Cambodian Rocks, a collection of untitled and uncredited music by artists presumed killed under the Khmer Rouge, and began researching the stories of the artists. [1] [2] [3] Cambodian-born artist and sociology professor Linda Saphan acted as associate producer and lead researcher for the film. [4]
Cambodian rock of the 1960s and 1970s was a thriving and prolific music scene based in Phnom Penh, Cambodia, in which musicians created a unique sound by combining traditional Cambodian music forms with rock and pop influences from records imported into the country from Latin America, Europe, and the United States.
Mohaori is traditionally a popular Cambodian music played in Khmer society since the late 9th century. Mohaori is still a popular Khmer traditional music played in various occasions and festivities. [2] It is regarded as a popular music for the Cambodian locals to accompanied their custom and traditional celebrations.
Meng Keo Pichenda is a Cambodian singer and has been contracted to many companies for her services. She is the youngest of three sisters, two of them are vocal musicians.. She is well known for her unique and balanced sound-pitched voice and was particularly successful in the late 1990s, credited for a change in direction in Cambodian music. [1]
Media in category "Music of Cambodia" The following 4 files are in this category, out of 4 total. Cambodian Rocks 02 - Ros Sereysothea - Chnam oun Dop-Pram Muy (sample).ogg 23 s; 207 KB
The film was directed by Keith McMillan and was 4 nights of concerts in Hammersmith Odeon to raise money for Cambodia. The event was organized by Paul McCartney and Kurt Waldheim (who was then Secretary-General of the U.N. ), and it involved well-established artists such as McCartney, The Who and Queen as well as younger punk and new wave acts ...
For the Khmer musicians who managed to escape the ruthless persecution of the Khmers Rouges who forbade any foreign influence and almost every form of music apart from propaganda, the refugee camps in Thailand were a safe haven where listening to "Champa Battambang" or the Khmer version of The House of the Rising Sun and others pieces of Cambodian rock music was a certain consolation in their ...