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The image of a Southern belle is often characterized by fashion elements such as a hoop skirt, a corset, pantalettes, a wide-brimmed straw hat, and gloves. As signs of tanning were considered working-class and unfashionable during this era, parasols and fans are also often represented.
Tammis Keefe, a cloth designer whose patterns appeared at Lord and Taylor in September 1952, used a harlequin print diamond pattern on a large cloth she crafted for a table setting show. [5] In a July 1954 article in the Washington Post, columnist Olga Curtis mentioned harlequin print fabrics and cellophane as very novel ideas in accessories. [6]
At the end of the Restoration (1814–1830) and during the Louis-Philippe period (1830-1848), Gothic Revival motifs start to appear in France, together with revivals of the Renaissance and of Rococo. During these two periods, the vogue for medieval things led craftsmen to adopt Gothic decorative motifs in their work, such as bell turrets ...
Southern Gothic particularly focuses on the South's history of slavery, racism, fear of the outside world, violence, a "fixation with the grotesque, and a tension between realistic and supernatural elements". [4] Similar to the elements of the Gothic castle, Southern Gothic depicts the decay of the plantation in the post-Civil War South. [4]
A sewing pattern is the template from which the parts of a garment are traced onto woven or knitted fabrics before being cut out and assembled. Patterns are usually made of paper , and are sometimes made of sturdier materials like paperboard or cardboard if they need to be more robust to withstand repeated use.
Polychrome brickwork also became popular in Europe in the later 19th century as part of the various medieval and Romanesque revivals. In France, the Menier Chocolate Factory in Noisiel, designed by Jules Saulnier and completed in 1872, is an early and very elaborate example, which is also noted for its early use of iron structure.
Correns was born at Cologne in 1821, and after studying jurisprudence at Bonn, went to the Academy at Munich, and became an accomplished portrait painter and lithographer.He was well known for the elegance of his portraits, his subjects including King Maximilian of Bavaria and his consort Queen Maria.
The pattern is composed of regularly-spaced thin, even vertical warp stripes, repeated horizontally in the weft, thereby forming squares. The stripes are usually in two alternating colours, generally darker on a light ground. [1] The cloth pattern takes its name from Tattersall's horse market, which was started in London in 1766. [2]