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Superposed order of the Colosseum. Superposed order (also superimposed) [1] is one where successive storeys of a building have different orders. [2] The most famous ancient example of such an order is the Colosseum at Rome, which had no less than four storeys of superposed orders. [3]
The Solomonic column, also called barley-sugar column, is a helical column, characterized by a spiraling twisting shaft like a corkscrew. It is not associated with a specific classical order , although most examples have Corinthian or Composite capitals .
Particularly high-style examples follow the Louvre precedent by breaking up the facade with superimposed columns and pilasters that typically vary their order between stories. Vernacular buildings typically employed less and more eclectic ornament than high-style specimens that generally followed the vernacular development in other styles.
An Islamic architectural term for the tribune raised upon columns, from which the Koran is recited and the prayers intoned by the Imam of the mosque. [28] Temples which have a double range of columns in the peristyle, as in the temple of Diana at Ephesus. [29] Distyle in antis Having two columns. A portico having two columns between two anta [30]
In classical architecture, proportions were set by the radii of columns. Proportion is a central principle of architectural theory and an important connection between mathematics and art. It is the visual effect of the relationship of the various objects and spaces that make up a structure to one another and to the whole.
In graphics, superimposition is the placement of an image or video on top of an already-existing image or video, usually to add to the overall image effect, but also sometimes to conceal something (such as when a different face is superimposed over the original face in a photograph).
The Five Orders of Architecture (Regola delli cinque ordini d'architettura) is a book on classical architecture by Giacomo Barozzi da Vignola from 1562, and is considered "one of the most successful architectural textbooks ever written", [1] despite having no text apart from the notes and the introduction. [2]
One of Fuller's clearest expositions on "the geometry of thinking" occurs in the two-part essay "Omnidirectional Halo" which appears in his book No More Secondhand God. [ 2 ] Amy Edmondson describes synergetics "in the broadest terms, as the study of spatial complexity, and as such is an inherently comprehensive discipline."