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"Liar!" is a science fiction short story by American writer Isaac Asimov. It first appeared in the May 1941 issue of Astounding Science Fiction and was reprinted in the collections I, Robot (1950) and The Complete Robot (1982). It was Asimov's third published positronic robot story.
The fictional character Pinocchio is a common depiction of a liar. A lie is an assertion that is believed to be false, typically used with the purpose of deceiving or misleading someone. [1] [2] [3] The practice of communicating lies is called lying. A person who communicates a lie may be termed a liar.
If the liar is indeed lying, then the liar is telling the truth, which means the liar just lied. In "this sentence is a lie", the paradox is strengthened in order to make it amenable to more rigorous logical analysis. It is still generally called the "liar paradox" although abstraction is made precisely from the liar making the statement.
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Quine's paradox is a paradox concerning truth values, stated by Willard Van Orman Quine. [1] It is related to the liar paradox as a problem, and it purports to show that a sentence can be paradoxical even if it is not self-referring and does not use demonstratives or indexicals (i.e. it does not explicitly refer to itself).
It can be transcluded on pages by placing {{Liar Game}} below the standard article appendices. Initial visibility This template's initial visibility currently defaults to autocollapse , meaning that if there is another collapsible item on the page (a navbox, sidebar , or table with the collapsible attribute ), it is hidden apart from its title ...
The Liar (Corneille play), a 1644 play by Pierre Corneille; The Liar (Goldoni play), a 1750 play by Carlo Goldoni; The Liar, a 1950 musical based on Goldoni's play, written and directed by Alfred Drake starring Walter Matthau
"Liar" is a number-one R&B single by group Profyle. The hit song spent one week at number-one on the US R&B chart and peaked at number fourteen on the US Pop chart. The hit song spent one week at number-one on the US R&B chart and peaked at number fourteen on the US Pop chart.