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  2. Illinois Jacquet - Wikipedia

    en.wikipedia.org/wiki/Illinois_Jacquet

    Jean-Baptiste Illinois Jacquet (October 30, 1922 – July 22, 2004) [1] was an American jazz tenor saxophonist, best remembered for his solo on "Flying Home", critically recognized as the first R&B saxophone solo. [2] He is also known as one of the writers of the jazz standard "Don'cha Go 'Way Mad."

  3. Tenor saxophone - Wikipedia

    en.wikipedia.org/wiki/Tenor_saxophone

    The tenor saxophone became best known to the general public through its frequent use in jazz music. It was the pioneering genius of Coleman Hawkins in the 1930s that lifted the tenor saxophone from its traditional role of adding weight to the ensemble and established it as a highly effective melody instrument in its own right. Many innovative ...

  4. Benny Golson - Wikipedia

    en.wikipedia.org/wiki/Benny_Golson

    Benny Golson (January 25, 1929 – September 21, 2024) was an American bebop and hard bop jazz tenor saxophonist, composer, and arranger. He came to prominence with the big bands of Lionel Hampton and Dizzy Gillespie, more as a writer than a performer, before launching his solo career.

  5. Steve Lacy (saxophonist) - Wikipedia

    en.wikipedia.org/wiki/Steve_Lacy_(saxophonist)

    Steve Lacy (born Steven Norman Lackritz; July 23, 1934 – June 4, 2004) was an American jazz saxophonist and composer recognized as one of the important players of soprano saxophone. [1] Coming to prominence in the 1950s as a progressive dixieland musician, Lacy went on to a long and prolific career.

  6. Paul Gonsalves - Wikipedia

    en.wikipedia.org/wiki/Paul_Gonsalves

    Paul Gonsalves (() July 12, 1920 – () May 15, 1974) was an American jazz tenor saxophonist [1] best known for his association with Duke Ellington.At the 1956 Newport Jazz Festival, Gonsalves played a 27-chorus solo in the middle of Ellington's "Diminuendo and Crescendo in Blue," [2] a performance credited with revitalizing Ellington's waning career in the 1950s.

  7. Gene Ammons - Wikipedia

    en.wikipedia.org/wiki/Gene_Ammons

    The soul jazz movement of the mid-1960s, often using the combination of tenor saxophone and Hammond B3 electric organ, counts him as a founder. With a thicker, warmer tone than Stitt or Gordon, Ammons could at will exploit a vast range of textures on the instrument, vocalizing it in ways that anticipated later artists such as Stanley Turrentine ...