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Pandaemonium is a 2000 film, directed by Julien Temple, screenplay by Frank Cottrell Boyce.It is based on the early lives of English poets Samuel Taylor Coleridge and William Wordsworth, in particular their collaboration on the Lyrical Ballads (1798), and Coleridge's writing of Kubla Khan (completed in 1797, published in 1816).
Pandemonium, a 1971 Japanese film directed by Toshio Matsumoto; Pandemonium, a 1982 American comedy; Pandemonium, Australian horror movie; Pandaemonium, a 2000 UK drama about the poets Coleridge and Wordsworth; Pandamonium, a 1982 American animated series "Pandemonium" (Kaze no Stigma), an episode of Kaze no Stigma
Pandemonium is a 1982 American parody slasher film. [2] It was directed by Alfred Sole and features an ensemble cast including Tom Smothers, Eileen Brennan, Phil Hartman, Tab Hunter, Judge Reinhold, Carol Kane, David Lander, Eve Arden, and Paul Reubens.
Pandaemonium (film) R. Running Out of Luck; S. The Secret Policeman's Other Ball; Stones at the Max; T. There'll Always Be an England (film) V. Video Rewind
John Martin, Satan Presiding at the Infernal Council, c. 1823–1827 John Martin, Pandemonium, 1841. Pandæmonium (or Pandemonium in some versions of English) is the capital of Hell in John Milton's epic poem Paradise Lost.
The GPO Film Unit became the Crown Film Unit in 1940, a film-making propaganda arm of the Ministry of Information, and Jennings joined the new organisation. Jennings only feature-length film, the 70-minute Fires Were Started (1943), also known as I Was A Fireman, details the work of the Auxiliary Fire Service in London. It blurs the lines ...
Julien Temple (born 26 November 1953) is a British film, documentary and music video director. [1] He began his career with short films featuring the Sex Pistols, and has continued with various off-beat projects, including The Great Rock 'n' Roll Swindle, [1] Absolute Beginners and a documentary film about Glastonbury.
Pandæmonium, 1660–1886: The Coming of the Machine as Seen by Contemporary Observers is a book of contemporary observations of the coming, development, and impact of the Industrial Revolution in the United Kingdom, collected by documentary film-maker Humphrey Jennings and published posthumously in 1985 by Icon Books having received funding for the project from the Elephant Trust. [1]