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Overture (from French ouverture, lit. "opening") is a music instrumental introduction to a ballet, opera, or oratorio in the 17th century. [1] During the early Romantic era, composers such as Beethoven and Mendelssohn composed overtures which were independent, self-existing, instrumental, programmatic works that foreshadowed genres such as the symphonic poem.
The William Tell Overture is the overture to the opera William Tell (original French title Guillaume Tell), composed by Gioachino Rossini. William Tell premiered in 1829 and was the last of Rossini's 39 operas, after which he went into semi-retirement (he continued to compose cantatas, sacred music and secular vocal music).
The Italian overture is a piece of orchestral music which opened several operas, oratorios and other large-scale works in the late 17th and early 18th centuries. An Italian overture typically has a three- movement structure [ 1 ] – the outer movements are quick, the middle movement is slow.
The Year 1812, Solemn Overture, Op. 49, popularly known as the 1812 Overture, [1] is a concert overture in E ♭ major written in 1880 by Russian composer Pyotr Ilyich Tchaikovsky. The piece commemorates Russia 's successful defense against the French invasion of the nation in 1812.
Poet and Peasant and Light Cavalry are among the most famous overtures ever written". [26] To these, the music critic Andrew Lamb adds as outstanding among Suppé's overtures those to Ein Morgen, ein Mittag und ein Abend in Wien (Morning, Noon, and Night in Vienna, 1844), Pique Dame (Queen of Spades, 1862), Flotte Bursche (Jolly Students, 1863 ...
An 1870 oil painting by Ford Madox Brown depicting Romeo and Juliet's famous balcony scene. Although styled an 'Overture-Fantasy' by the composer, the overall design is a symphonic poem in sonata form with an introduction and an epilogue. The work is based on three main strands of the Shakespeare story.
The French overture is a musical form widely used in the Baroque period. Its basic formal division is into two parts, which are usually enclosed by double bars and repeat signs. Its basic formal division is into two parts, which are usually enclosed by double bars and repeat signs.
The Overture di Ballo is the most frequently recorded of Sullivan's non-operatic compositions. [11] As of 2021, recordings conducted by Sir Adrian Boult , [ 12 ] Anthony Collins , [ 13 ] Alexander Faris , [ 14 ] Arthur Fiedler , [ 15 ] Sir Charles Groves , [ 16 ] Tom Higgins, [ 17 ] Sir Charles Mackerras , [ 18 ] Sir Neville Marriner , [ 19 ...