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"Somebody's Knocking at Your Door", sometimes given as "Somebody's Knocking" and "Somebody's Knockin ' at Yo' Door", is a spiritual. The song's music and text has no known author, [ 1 ] but originated among enslaved African-Americans on Plantation complexes in the Southern United States sometime in the early 19th century.
Schlegel wrote "Jesus Christus, Menschensohn" as a three-fold call to the Jesus, like the liturgical Kyrie, addressed as the Son of man. [3] The first stanza requests enlightenment to see God face to face. The second stanza recalls that Jesus carried on the Cross what we suffer. The third stanza requests that Jesus, called ("gerufen") from ...
The hymn inspired other variants, such as the "De nomine Iesu." Three sections of it are used as hymns in the Liturgy of the Hours of the Feast of the Holy Name of Jesus: "Iesu dulcis memoria" , "Iesu rex admirabilis" , "Iesu decus angelicum" . Several English hymns sung today are based on translations of Jesu dulcis memoria.
The Hymn of Jesus, H. 140, Op. 37, is a sacred work by Gustav Holst scored for two choruses, semi-chorus, and full orchestra. It was written in 1917–1919 and first performed in 1920. One of his most popular and highly acclaimed compositions, it is divided into two sections.
Hymns II – Shine on Us is a studio album by Christian recording artist Michael W. Smith. It was released exclusively at Cracker Barrel Old Country Store on January 29, 2016. [ 2 ] This is Smith's second hymns album and second release with Cracker Barrel. [ 3 ]
Jesus Paid It All (also known as Fullness in Christ and I hear the Saviour say and Christ All and in All) is a traditional American hymn about the penal substitutionary atonement for sin by the death of Jesus. The song references many Bible verses, including Romans 5 ("Jesus' sacrifice gives life") and Isaiah 1:18 ("a crimson flow"). [1]
Rocky Logan reviews Greatest Hymns, Vol. 2 for Absolutely Gospel and gives it 4 out of a possible 5 stars. He writes, "Another great group of songs from one the very best at capturing the enduring spirit of the past and weaving it in with the present."
Each hymn in the Psalmody was cross-referenced by page number to the "Manchester Hymnal" and only used a few verses of the full hymn text. In many respects, the Latter-day Saints' Psalmody represented a high-water mark in LDS hymnody. By today's standards many of the hymns are quite challenging, even for choirs, let alone congregational singing.