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Country: Indonesia: Reference: 00393: Region: Asia and the Pacific: Inscription history; Inscription: 2010 (5th session) List: Representative: Traditional Angklung (Pentatonic – Slendro Scale: Angklung Kanekes, Angklung Dogdog Lojor, Angklung Gabrag, Angklung Badeng, Angklung Bungko, Angklung Badud, Angklung Buncis, and angklung Calung) and Modern Angklung (Diatonic/Chromatic – Slendro ...
Bali, however, has its own techniques and styles, including kecak, a form of singing that imitates the sound of monkeys. In addition, the island is home to several unique kinds of gamelan, including the gamelan jegog , gamelan gong gede , gamelan gambang , gamelan selunding and gamelan semar pegulingan , the cremation music angklung and the ...
Joged bumbung is a style of gamelan music from Bali, Indonesia on instruments made primarily out of bamboo. [1] [2] The ensemble gets its name from joged, a flirtatious dance often performed at festivals and parties. This style of Gamelan is especially popular in Northern and Western Bali, but is easily found all over the island.
Kendang of Bali, note the equal size of both sides. The drum in this picture is exceptional - usually Balinese kendang s are conical (actually hour-glass formed on the inside). Kendang of Java , one side is bigger than other.
The genggong is a kind of jew's harp used in the music of Bali. It consists of a wooden frame and tongue cut from a single piece of the leaf stem of the sugar palm. The left end is held firmly against the cheek, while a string tied to the right end is jerked rhythmically to set the tongue into motion (in contrast to other jaw harps in which the ...
The reyong (also spelled reong) is a musical instrument used in Balinese gamelan.It consists of a long row of metal gongs suspended on a frame. In gamelan gong kebyar, it is played by four players at once, each with two mallets.
Kartomi, Margaret J; Monash University (1974), Matjapat songs in central and west Java, Australian National University Press in association with Monash University and the Faculty of Asian Studies, Australian National University, ISBN 978-0-7081-0355-5
A dance known as cendrawasih was designed by I Gde Manik and was first performed in the Sawan subdistrict of the Buleleng Regency in the 1920s; the area is the origin of numerous dances, including Trunajaya, Wirangjaya, and Palawakya.