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Tempera painting was the primary panel painting medium for nearly every painter in the European Medieval and Early renaissance period up to 1500. For example, most surviving panel paintings attributed to Michelangelo are executed in egg tempera, an exception being his Doni Tondo which uses both tempera and oil paint.
Persephone (painting) Pietà (Bellini, Bergamo) Pietà (Bellini, Milan) Plague (painting) Portrait of the Dancer Anita Berber; Portrait of the Journalist Sylvia von Harden; Presentation at the Temple (Mantegna) Presentation at the Temple (Bellini)
Tempera on panel: 115.2 × 70 cm: Ajaccio, Musée Fesch Virgin and Child with an Angel: 1465–1467: Tempera on panel: 87 × 60 cm: Florence, Ospedale degli Innocenti: The Virgin and Child with Two Angels and the Young St. John the Baptist: 1465–1470: Tempera on panel: 85 × 62 cm: Florence, Galleria dell'Accademia: Madonna and Child: 1465 ...
The Vision of a Knight, also called The Dream of Scipio or Allegory, is a small egg tempera painting on poplar by the Italian Renaissance artist Raphael, finished in 1503–1504. [1] [2] It is in the National Gallery in London. It probably formed a pair with the Three Graces panel, also 17 cm square, now in the Château de Chantilly museum.
Christina's World is a 1948 painting by American painter Andrew Wyeth and one of the best-known American paintings of the mid-20th century. It is a tempera work done in a realist style, depicting a woman in an incline position on the ground in a treeless, mostly tawny field, looking up at a gray house on the horizon, a barn, and various other small outbuildings are adjacent to the house. [1]
Tempera paintings are very long-lasting, and examples from the first centuries CE still exist. Egg tempera was a primary method of painting until after 1500 when it was superseded by the invention of oil painting. A paint commonly called tempera (though it is not) consisting of pigment and glue size is commonly used and referred to by some ...