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Children love this poem, but critics find it "coy" and "lightweight". The 'peering into shanties' metaphor is thought "snobbish". The exact animal employed as a metaphor for the railroad initially proves a puzzle, but at poem's end it is decidedly a horse which neighs and stops (like the Christmas Star) at a "stable door".
W. C. Sellar and R. J. Yeatman parodied Browning's poem in their book Horse Nonsense as "How I Brought the Good News from Aix to Ghent (or Vice Versa)". [5]In 1889 Browning attempted to recite the poem into a phonograph at a public gathering, but forgot the words; this is the only known recording of Browning's voice.
The rhythm is suggestive of the foot falls of a galloping horse. Noyes frequently uses alliteration, such as the phrase "ghostly galleon", and also uses refrains in each stanza. The genre of this poem seems to be a romance, but like Romeo and Juliet, the poem is a tragedy in the end. This poem can also be called a ballad. [citation needed]
Residence on Earth (Spanish: Residencia en la Tierra) is book of poetry by Chilean poet Pablo Neruda. Residence on Earth came out in three volumes, in 1933, 1935, and 1947. Neruda wrote the book over a span of two decades, from 1925 until 1945.
The Dictionnaire des symboles asserts that all the rites, myths, poems and tales evoking the horse simply highlight this relationship between rider and mount, considered, in psychoanalytical terms, to represent that of the psychic and the mental: "if there is conflict between the two, the horse's race leads to madness and death, but if there is ...
A writer in The Sydney Morning Herald noted, of the original publication: "A beautiful volume, as far as typography goes, is Mr Will H. Ogilvie's 'Fair Girls and Gray Horses,' a collection of Australian poetry with the imprint of the 'Bulletin' Company. The real westward—that means anywhere from Menindie to the Gulf of Carpentaria and west of ...
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"Tamerlane" is the Latinized name of a 14th-century historical figure.. The main themes of "Tamerlane" are independence and pride [3] as well as loss and exile. [4] Poe may have written the poem based on his own loss of his early love, Sarah Elmira Royster, [5] his birth mother Eliza Poe, or his foster-mother Frances Allan. [4]