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Conservation and restoration of ceramic objects is a process dedicated to the preservation and protection of objects of historical and personal value made from ceramic. Typically, this activity of conservation-restoration is undertaken by a conservator-restorer , especially when dealing with an object of cultural heritage .
Lacquerware is a longstanding tradition in Japan [6] [7] and, at some point, kintsugi may have been combined with maki-e as a replacement for other ceramic repair techniques. While the process is associated with Japanese craftsmen, the technique was also applied to ceramic pieces of other origins including China, Vietnam, and Korea. [8]
The conservation and restoration of ancient Greek pottery is a sub-section of the broader topic of conservation and restoration of ceramic objects. Ancient Greek pottery is one of the most commonly found types of artifacts from the ancient Greek world. The information learned from vase paintings forms the foundation of modern knowledge of ...
Water causes damage and results from natural occurrences, technological hazards, or mechanical failures. Many cases of water damage can be traced to accidents or neglect. "A great many of the materials that museum objects are made of are highly susceptible to contact with water and can be severely damaged by even brief contact, while others may be exposed to water for longer periods without harm.
Williamsburg Pottery Factory is a large, multi-structure retail outlet store located in Lightfoot, Virginia, about 6 miles (9.7 km) west of Williamsburg. It was founded in 1938 by James E. Maloney as a small pottery workshop. The Williamsburg Pottery Factory now markets itself as one of Virginia's largest tourist attractions.
The conservation and restoration of outdoor artworks is the activity dedicated to the preservation and protection of artworks that are exhibited or permanently installed outside. These works may be made of wood , stone , ceramic material , plastic , bronze , copper , or any other number of materials and may or may not be painted.
All ancient Greek and ancient Roman pottery is earthenware, as is the Hispano-Moresque ware of the late Middle Ages, which developed into tin-glazed pottery or faience traditions in several parts of Europe, mostly notably the painted maiolica of the Italian Renaissance, and Dutch Delftware.
Gzhel pottery was originally created by potters in their homes; however, fairly early on these potters started to organize into workshops to increase production. The workshops eventually became factories with pieces formed in moulds and potters being responsible for separate pieces, a specific style, or decoration.