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The fourth woodcut of the Apocalypse series, The Four Horsemen of the Apocalypse (1498) The fourth woodcut of the Apocalypse cycle, The Four Horsemen of the Apocalypse, depicts the first four of seven seals that must be opened in order for the Apocalypse to begin. [19] Though hostile in nature, these riders are in no way connected to Satan.
Saint John kneeling before Christ and the twenty-four elders: 108 B. 63 12 c. 1496-1498 Apocalypse: The four horsemen of the Apocalypse: 109 B. 64 C. D. 11 13 c. 1496-1498 Apocalypse: The Opening of the fifth and sixth seals: 110 B. 65 14 c. 1496-1498 Apocalypse: Four angels holding back the winds, and the marking of the elect: 111 B. 66 15 c ...
Albrecht Dürer: Complete woodcuts, 013; Catalogue of Early German and Flemish Woodcuts in the British Museum, Vol. 1, C. D. 11; Kurth's Complete Woodcuts of Albrecht Dürer, 109; Dürer catalog: a manual about Albrecht Dürer's engravings, etchings, woodcuts, their conditions, editions and watermarks, 167
The Four Horsemen c. 1496–98 by Albrecht Dürer, depicting the Four Horsemen of the Apocalypse. Woodcut is a relief printing technique in printmaking.An artist carves an image into the surface of a block of wood—typically with gouges—leaving the printing parts level with the surface while removing the non-printing parts.
Albrecht Dürer: Complete woodcuts, 013; Catalogue of Early German and Flemish Woodcuts in the British Museum, Vol. 1, C. D. 11; Kurth's Complete Woodcuts of Albrecht Dürer, 109; Dürer catalog: a manual about Albrecht Dürer's engravings, etchings, woodcuts, their conditions, editions and watermarks, 167
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Schmidt, Sebastian. "'dan sӳ machten dy vürtrefflichen künstner reich'. Zur ursprünglichen Bestimmung von Albrecht Dürers Selbstbildnis im Pelzrock", in Anzeiger des Germanischen Nationalmuseums 2010, pp. 65–82, ISSN 1430-5496. Wilhelm, Kurth (ed.). The Complete Woodcuts of Albrecht Durer, Dover Publications, 2000, ISBN 0-486-21097-9.
Some equate the Four Horsemen with the angels of the four winds. [80] See Michael , Gabriel , Raphael , and Uriel , angels often associated with four cardinal directions). Some speculate that when the imagery of the Six Seals is compared to other eschatological descriptions throughout the Bible, the themes of the horsemen draw remarkable ...