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According to the Benozzo Gozzoli Museum, Castelfiorentino, Italy, the "Strappo" technique is the least invasive method of wall painting removal because unlike stacco a massello or stacco, it "involves removal of only the topmost layer of plaster, which has absorbed the pigment" as described in the video, The Strappo Technique produced by the ...
Water damage may result in mold formations, a type of pest damage, on the canvas and pigment layers. It may also cause the canvas or framing supports to weaken and become flimsy resulting in tears from physical forces. [5] Ripples, waves, and undulations are also a common form of water damage.
Using ultra-violet light, conservator Aviva Burnstock discovers a stamp on the back of the canvas bearing the name "Jerome Ottoz", a leading canvas supplier to Corot and his contemporaries. The team examine a hand-made catalogue of fake works complied by art historian and friend of Corot, Alfred Robaut [ fr ] , and discover that the work is ...
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The ground of the painting was then removed by solvents or scraping, until nothing remained but a thin skin of colour, pasted over with paper and held together by the muslin. A prepared canvas was then attached to the back of the paint layer, using the same method as was used for lining pictures. When the glue had dried, the paper and muslin ...
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Cores to accommodate holes can be seen in the bottom half of the mould, which is called the drag. The top half of the mould is called the cope. In casting, a pattern is a replica of the object to be cast, used to form the sand mould cavity into which molten metal is poured during the casting process. Once the pattern has been used to form the ...
The recommended handling method for panel paintings is similar to that of canvas and other two-dimensional works. Conservators are the only persons that should touch the front or back of a painting. The panel should be held by the edges using nitrile gloves and carried with two hands or in tandem by two people, depending on size.
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