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The largest gong is ogung boru boru (female gong) and the smaller one is called ogung jantan (male gong), while one smaller gong is called doal and three smaller gongs are named salempong or mong-mongan. Other equipment in Gordang Sambilan is a wind instrument made of bamboo called a sarune or saleot and a pair of small cymbals called a tali ...
It consists of a set of a double row of gong chimes known as the totobuang (similar to set of bonang gong chimes) and a set of tifa drums. It can also include a large gong. [1] The name comes from the instruments' collaboration. The ensemble can accompany the Maluku Island's Sawat Lenso dance. [2] [3]
Furthermore similar to the Moluccas, regions in West Papua such as the Kokoda people of South Sorong also have Sawat musical tradition in the form of tifa syawat which was a type of tetabuhan, introduced from Kokas in Fakfak, consisting of tifa, gong, adrat, suling, to accompany Kasuari dance, weddings, Mauludan and other events. [10]
[1] [2] It is a kind of gong and is placed on its side. It has the same length and width. Thus, it is similar to the bonang, kempyang, and ketuk, which are also cradled gongs. Kenongs are generally much larger than the aforementioned instruments. However, the kenong has a considerably higher pitch.
Music of Minang is a traditional and contemporary ethnic variety of Indonesian music that grows and develops in the Minangkabau culture. [1] [2] [3] Music is generally played by musical instruments such as talempong, saluang, Minang rabab, serunai, rebana, aguang (), gandang, gambus, and violin.
A Pasi gong is a medium-size gong 30 to 40 cm (12 to 15 in) in size, with a loud crashing sound. It is used traditionally to announce the start of a performance, play ...
Kulintang (Indonesian: kolintang, [13] Malay: kulintangan [14]) is a modern term for an ancient instrumental form of music composed on a row of small, horizontally laid gongs that function melodically, accompanied by larger, suspended gongs and drums.
Kendhang ageng, kendhang gede (krama/ngoko, similar to gong ageng in usage), or kendhang gendhing is the largest kendang, which usually has the deepest tone. It is played by itself in the kendhang satunggal (lit. "single drum") style, which is used for the most solemn or majestic pieces or parts of pieces.