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The modern use of the phrase is generally attributed to Fred R. Barnard. Barnard wrote this phrase in the advertising trade journal Printers' Ink, promoting the use of images in advertisements that appeared on the sides of streetcars. [6] The December 8, 1921, issue carries an ad entitled, "One Look is Worth A Thousand Words."
Words are left out—but the picture says it. Pictures are left out—but the word says it." Sendak also appreciated the subtle darkness of Caldecott's work: "You can't say it's a tragedy, but something hurts. Like a shadow passing quickly over. It is this which gives a Caldecott book—however frothy the verses and pictures—its unexpected ...
These are not merely catchy sayings. Even though some sources may identify a phrase as a catchphrase, this list is for those that meet the definition given in the lead section of the catchphrase article and are notable for their widespread use within the culture. This list is distinct from the list of political catchphrases.
Henry George Bohn (4 January 1796 – 22 August 1884) was a British publisher.He is principally remembered for the Bohn's Libraries series which he inaugurated. These were begun in 1846, targeted the mass market, and comprised editions of standard works and translations, dealing with history, science, classics, theology, and archaeology.
Wikiquote has been suggested as "a great starting point for a quotation search" with only quotes with sourced citations being available. It is also noted as a source from frequent misquotes and their possible origins. [12] [13] It can be used for analysis to produce claims such as "Albert Einstein is probably the most quoted figure of our time".
Strabo quotes him as having sarcastically commented, "a man might find the places of Odysseus' wanderings if the day were to come when he would find the leatherworker who stitched the goatskin of the winds." [55] Meanwhile, other scholars at the Library of Alexandria also displayed interest in scientific subjects.
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His illustrations of Dante's Divine Comedy were left unfinished upon his death. The completed engravings differ from Blake's original watercolours mainly in the complex marginal designs that they employ. These comment upon the text with biblical quotes and paraphrases, and also contain images that reinforce the themes of the main illustrations.