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Puerto Rico Ilustrado was a weekly magazine in Puerto Rico. Its first issue was published 6 March 1910 in San Juan, Puerto Rico , with Juan M. Saavedra as administrator. [ 7 ] The final issue of Puerto Rico Ilustrado as an independent publication was número 2227, published 27 December 1952.
El Día: decano de la prensa de Puerto Rico [276] [477] Ponce [478] 1911 (May 2) [479] [467] 1970 [480] Archivo Histórico Municipal de Ponce (entire printed collection) [481] This paper was the successor of El Diario de Puerto Rico (1909–1911); Eugenio Astol, director; Guillermo Vivas Valdivieso become its director in 1928. [482]
Puerto Rico Ilustrado/El Mundo Building (Spanish: Edificio El Mundo/Puerto Rico Ilustrado) is a historic Art Deco high-rise building located in the Old San Juan historic district of the city of San Juan, Puerto Rico. The building was erected in 1923 to serve as the headquarters of the El Mundo newspaper and the Puerto Rico Ilustrado magazine. [1]
El Imparcial, founded in 1918, was "an anti-Popular, pro-Independence tabloid" [4] in Puerto Rico. It circulated daily, except Sundays. [5] Its full name was El Imparcial: El diario ilustrado de Puerto Rico. [6] El Imparcial was given new life in 1933 under the leadership of Antonio Ayuso Valdivieso. [7]
El Mundo (lit. ' The World ') is a Puerto Rican newspaper founded in 1919 [1] by Romualdo Real. [2] Its slogan was "Verdad y Justicia" (Truth and Justice). [3] In 1929, former corrector-turned-administrator Angel Ramos and journalist José Coll Vidal, bought the newspaper when Real retired.
The Luis Muñoz Rivera Park (or Parque Luis Muñoz Rivera in Spanish) is a 27.2 acre (110,000 m 2) recreational public space located in Puerta de Tierra in San Juan, Puerto Rico. The park was named in honor of Puerto Rican statesman Luis Muñoz Rivera. It is the largest public square in the San Juan metropolitan area. [1]
“El Derecho Divino de Los Blancos” (“The Divine Right of the Whites”), published on September 30, 1939 in Puerto Rico Ilustrado, a Puerto Rican cultural publication, offers a critical eye on racism. [9] In this article, Betances Jaeger praises the liberation work of her uncle, Ramon Emeterio Betances. [9]
The interview was published in the Puerto Rico Ilustrado magazine with a photo of Barrios Mangoré dressed as Cacique Mangoré dedicated to Cuchí Coll. The interview, which was recovered recently, is considered as historically important by the authorities of Paraguay because it gives the only known published impression of the artist in regard ...