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Walls of Fire is a 1971 American documentary film directed by Herbert Kline and Edmund Penney. Narrated by Ricardo Montalbán, this documentary examines the history of Mexican murals and their artists.
The Cypress St. Mural Restoration: "El Proletariado de Atzlan" documentary about Emigdio Vasquez and son Higgy Vasquez, [9] was produced and directed by Katherine Bowers for Chapman University. It was selected for the Orange County Film Fiesta. [10] The documentary explains the restoration at the Cypress St. Mural by son Higgy.
The Troubles: A Dublin Story: Luke Hanlon Crime, Drama. 2023 United Kingdom Dead Shot: Tom Guard Charles Guard Action, Thriller. Based on the book The Road to Balcombe Street. 2023 Ireland United Kingdom Baltimore: Joe Lawlor Christine Molloy: Thriller. Rose Dugdale: 2023 Ireland In the Land of Saints and Sinners: Robert Lorenz: Action, Crime ...
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The Freedom Wall, located at the corner of Michigan Avenue and East Ferry Street in Buffalo, New York, is a mural depicting twenty-eight civil rights leaders active anytime from the 19th to the 21st centuries, ranging from William Wells Brown (born 1815) to Alicia Garza (born 1981). [1]
A contemporary review in The New York Times written for a screening of the film at a film festival described the film as "lively and energetic". [1]In a review published by Film School Rejects about a Criterion Collection box set of Agnès Varda's films shot in California, Farah Cheded describes Mur Murs's as having "perfect composition" in its depiction of "dazzlingly painted" walls.
America Today is a mural comprising ten canvas panels, painted with egg tempera in 1930–1931 by the American painter Thomas Hart Benton. It provides a panorama of American life throughout the 1920s, based on Benton's extensive travels in the country.
The Belfast Project was an oral history project on the Troubles based at Boston College in Massachusetts, U.S. The project began in 2000 [ 1 ] and the last interviews were concluded in 2006. [ 2 ] The interviews were intended to be released after the participants' deaths [ 1 ] and serve as a resource for future historians.