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By 1955 Fender started putting its amps in the "Narrow Panel" tweed cabinet with a plastic oxblood color grill cloth, [4] and by this time the Champ was officially named the Champ (model 5E1). Through 1957, Champs only had a six-inch speaker, but the 1958 model 5F1 featured an 8".
Fender Jaguar Bass; Fender Jazz Bass [16] Fender Mustang Bass [17] Fender Precision Bass [18] Fender Telecaster Bass [19] (once replaced as Squier Vintage Modified Precision Bass TB then Classic Vibe '50s Precision Bass) Fender Meteora Bass
The specifications for these amplifiers, and leadership of the design team, came from Paul Rivera (then marketing director) and are known as Fender Rivera era amplifiers. Some amplifiers in the series used the II moniker; the Champ II, Princeton Reverb II, Deluxe Reverb II and Twin Reverb II, while others such as the Concert and Super Champ did ...
In 2016 Fender issued a hand-wired Artist Signature model, "Fender Edge Deluxe", based on a customized 1957 5E3 Tweed Deluxe, part of the rig of U2-guitarist "The Edge". It featured the addition of a Celestion Blue Alnico speaker, a tighter "bass" response from the preamp, a 12AX7 in V1 instead of a 12AY7, and, an added "Standby" switch.
Promotional materials now referred to the "Studebaker Scotsman" rather than "Studebaker Champion Scotsman", a promotion of sorts from a sub-series to a model in its own right. In a push to increase fleet sales, Studebaker also offered the Econ-o-miler in 1958, based on the body of the 120.5 in (3,060 mm) wheelbase President sedan.
The output transformer was an initial weak point in the design as they tended to short out and fail under the increased power after 1958 when the Super regained its 40 watts of muscle thanks to the return to 6L6/5881 power tubes. As a result, Fender began using Woodward-Schumacher 4-ohm transformers (stamped 125A6A).
The Fender Harvard is a vacuum tube (valve) guitar amplifier made by Fender from 1955 to 1963. The Harvard appeared only in a tweed covered "narrow-panel" cabinet, but in two very different circuit designs, namely 5F10 (1955–61) and 6G10 (1962–63).
Fender Silverface Bassman amp AB165 amplifier, with a 2×15" speaker cabinet. The Fender Bassman is a series of bass amplifiers introduced by Fender during 1952. [citation needed] Initially intended to amplify bass guitars, musicians used the 5B6 Bassman to amplify other instruments, including electric guitars, harmonicas, and pedal steel guitars.