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The influences of ancient Greek basin and the Greek Christian chants in the Byzantine music as origin, are confirmed. Music of Turkey was influenced by Byzantine music, too (mainly in the years 1640–1712). [97] Ottoman music is a synthesis, carrying the culture of Greek and Armenian Christian chant. It emerged as the result of a sharing ...
The names ascribed to the eight tones differ in translations into Church Slavonic.The Slavonic system counted the plagioi echoi as glasa 5, 6, 7, and 8. For reference, these differences are shown here together with the Ancient Greek names of the octave species according to the Hagiopolites [2] (see Hagiopolitan Octoechos) and to the chant treatises and tonaries of Carolingian theorists.
John Koukouzeles Papadopoulos (Greek: Ιωάννης Κουκουζέλης Παπαδόπουλος, romanized: Ioannis Koukouzeles Papadopoulos) was a Byzantine composer, singer and reformer of Byzantine chant. [1] He was recognized as a saint by the Eastern Orthodox Church after his death.
A kontakion (Greek κοντάκιον, kondákion, plural κοντάκια, kondákia) is a form of hymn in the Byzantine liturgical tradition.. The kontakion form originated in the Byzantine Empire around the 6th century and is closely associated with Saint Romanos the Melodist (d. 556).
He is the firstborn child in a large Greek family. He studied Byzantine music under the protopsaltes (leading cantor) George Michalis. He became a professional cantor when he was 13 years old, and at the age of 15 received an award in Byzantine music from the Greek Ministry of Education. He subsequently moved to Athens. [3] [4]
A troparion (Greek τροπάριον, plural: troparia, τροπάρια; Georgian: ტროპარი, tropari; Church Slavonic: тропа́рь, tropar) in Byzantine music and in the religious music of Eastern Orthodox Christianity is a short hymn of one stanza, or organised in more complex forms as series of stanzas.
Kassia, Cassia or Kassiani (Greek: Κασσιανή, romanized: Kassianí, pronounced; c. 810 – before 865) was a Byzantine-Greek composer, hymnographer and poet. [1] She holds a unique place in Byzantine music as the only known woman whose music appears in the Byzantine liturgy. [2]
Notation of melody and chords for the hymn. [1]Agni Parthene (Greek: Ἁγνὴ Παρθένε), rendered "O Virgin Pure" or "O Pure Virgin", is a Greek Marian hymn composed by St. Nectarios of Aegina in the late 19th century, first published in print in his Theotokarion (Θεοτοκάριον, ἤτοι προσευχητάριον μικρόν) in 1905.