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It depicts Krishna and Radha in a Bower, a scene from a dispersed Gita Govinda. Sahibdin ( fl. 17th century ) was an Indian miniature painter of the Mewar school of Rajasthan painting. He was one of the dominant painters of the era, and one of the few whose name is still known today (another being the painter Manohar Das ).
The work depicts Radha, Krishna, tree, flower, woman, and peacocks. It expresses their love through depiction of flowering trees, birds, and entwining clothing. [3] It is the only known Kota depiction of a scene from Hindu scripture. [4] The story was first told in Bhagavata Purana, although Radha was initially unidentified. "Radha, it was held ...
Themes are chiefly on Lord Jagannath and Radha-Krishna, different "Vesas" of Shri Jagannath, Balabhadra and Subhadra, temple activities, the ten incarnations of Vishnu basing on the 'Gita Govinda' of Jayadev, Kama Kujara Navagunjara, Ramayana, Mahabharata. [20] The individual paintings of gods and goddesses are also being painted.
Description: painter and creator An Indian painter who achieved recognition for his depiction of scenes from the epics of the Mahabharata and Ramayana.
The painting is the example of pahari painting used in Gardner's Art Through the Ages, which states: [3] In Krishna and Radha in a Pavilion, the lovers sit on a bed beneath a jeweled pavilion in a lush garden of ripe mangoes and flowering shrubs. Krishna gazes directly into Radha's face. Radha shyly averts her gaze.
He is attributed with a small group of paintings in a distinctive style, produced for Raja Savant Singh, and mostly depicting the king and Bani Thani as Krishna and Radha respectively. These are "widely held to be the finest of all Rajasthani miniatures", and are unusually large for their type, reaching 19 by 14 inches (48 x 36 cm). [ 1 ]
Painting of Radha and Krishna. A description of Goloka can be found in the Brahma Samhita, verse 5.29: . I worship Govinda, the primeval Lord, the first progenitor, who is tending the cows, yielding all desires, in abodes built with spiritual gems and surrounded by millions of purpose trees.
Radha-Krishna theme, from the Gita Govinda in Pahari style, Garhwal sub-school. Pahari painting (lit. ' a painting from the mountainous regions, pahar meaning a mountain in Hindi ') is an umbrella term used for a form of Indian painting, done mostly in miniature forms, originating from the lower Himalayan hill kingdoms of North India, during the early 17th to mid 19th century, notably Basohli ...