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Poem Film(s) "Casey at the Bat: A Ballad of the Republic, Sung in the Year 1888" (1888), Ernest Thayer Casey at the Bat (1916) : Casey at the Bat (1927) : Make Mine Music (1946) "The Charge of the Light Brigade" (1854), Alfred, Lord Tennyson
In his essay Poetry-Films and Film Poems in Film Poems, William C. Wees differentiates between poetry-film using a film to ‘illustrate’ a poem, and film poems in which ‘a synthesis of poetry and film that generates associations, connotations and metaphors neither the verbal nor the visual text could produce on its own.’ [9] [10]
The concept was to create poetry videos, similar to music videos which were gaining popularity at the time, making poetry more acceptable as a commercial product. One of the most famous poetry films ever produced was aired on the Smothers Brothers Show in 1968. The film was by Lawrence Ferlinghetti and was titled the "Assassination Raga". The ...
In the 1909 novel The Phantom of the Opera, as well as subsequent film and stage adaptations, the title character appears disguised as The Red Death at a ball.; In Chapter 4 of the 1940 movie serial Drums of Fu Manchu, "The Pendulum of Doom", the hero Allan Parker is trapped in a "Pit and the Pendulum" peril (Fu Manchu actually states that the Poe story inspired this torture device).
Movie First appearance Notes "I'll be back" Terminator: The Terminator: 1984 [note 6] [note 7] "Hasta la vista, baby" Terminator: Terminator 2: Judgment Day: 1991 [note 8] "I love the smell of napalm in the morning" Lieutenant Colonel Bill Kilgore: Apocalypse Now: 1979 [note 6] [note 7] "Frankly, my dear, I don't give a damn" Rhett Butler: Gone ...
However, the Joyce estate was unwilling to allow direct use of Joyce's words at that time, so she altered the lyrics. By 2011, the Joyce estate was open to licensing his work to her, so she re-worked that song as Flower of the Mountain, using Molly Bloom's soliloquy from Ulysses. [97] [98] [99] "Shadows and Tall Trees" Boy: U2: Lord of the Flies
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Poetry groups and movements or schools may be self-identified by the poets that form them or defined by critics who see unifying characteristics of a body of work by more than one poet. To be a 'school' a group of poets must share a common style or a common ethos.