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The icon of the Nativity depicts the Christ Child wrapped in swaddling clothes reminiscent of his burial wrappings. The child is often shown lying on a stone, representing the Tomb of Christ, rather than a manger. The Cave of the Nativity is also a reminder of the cave in which Jesus was buried.
Religious art was not, however, limited to the monumental decoration of church interiors. One of the most important genres of Byzantine art was the icon, an image of Christ, the Virgin, or a saint, used as an object of veneration in Orthodox churches and private homes alike. Icons were more religious than aesthetic in nature: especially after ...
The Byzantine style describes art that was produced by the Byzantine Empire during the Middle Ages. Byzantine art manifested in a variety of mediums, including painting, architecture, mosaics, metalwork, and ivory reliefs; however it is widely recognized for its use of opulent gold icons that continue to decorate many churches to this day. [3]
Some scholars have suggested the icon at Sinai could have been a possible representation of the Kamouliana icon of Christ [11] or of the famous icon of Christ of the Chalke Gate, [12] an image which was destroyed twice during the first and second waves of Byzantine Iconoclasm—first in 726, and again in 814—and thus its connection with the ...
The Nativity has the Byzantine elements of the cave and the Virgin reclining on a klinē (couch), as well as the midwives bathing the baby Jesus below the Virgin. [ 33 ] Other elements draw from northern Gothic; the six arches below the platform are "just barely pointed", but have three-lobed tracery in the French Gothic manner.
Christ Pantocrator mosaic in Byzantine style from the Cefalù Cathedral, Sicily. The most common translation of Pantocrator is "Almighty" or "All-powerful". In this understanding, Pantokrator is a compound word formed from the Greek words πᾶς, pas (GEN παντός pantos), i.e. "all" [4] and κράτος, kratos, i.e. "strength", "might", "power". [5]