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Death Cab for Cutie, the name deriving from the Vivian Stanshall/Neil Innes song "Death Cab For Cutie", began in 1997 as a solo project by Ben Gibbard when he was a guitarist for the band Pinwheel. He recorded under the name All-Time Quarterback. As Death Cab for Cutie, he released a cassette, You Can Play These Songs with Chords, during the ...
Innes's inspiration for the song was the title of a story in an old American pulp fiction crime magazine he came across at a street market. [1] Stanshall's primary contribution was to shape "Death Cab for Cutie" as a parody of Elvis Presley (notably Presley's 1957 hit "(Let Me Be Your) Teddy Bear"), and he sang it as such, with undertones of 1950s doo-wop.
Death Cab for Cutie is an American indie rock group from Bellingham, Washington and was formed in 1997 by Ben Gibbard as a side project from Pinwheel. After releasing a demo tape, he added guitarist Chris Walla , bassist Nick Harmer, and drummer Nathan Good to the band.
The sound of 2003 was the feather-light yearning of Ben Gibbard, nasal frontman of Death Cab for Cutie and the blueprint for every proto-softboi with an unrequited crush and their headphones ...
Ben Gibbard was at the height of his powers in 2003, delivering the two records his entire output is measured against: Death Cab for Cutie’s fourth album, “Transatlanticism,” and the Postal ...
The American rock band Death Cab for Cutie has recorded songs for ten studio albums, as well as numerous extended plays. This list comprises the band's recorded catalog, as well as non-album singles, covers, and recorded appearances on other albums.
In October, Death Cab for Cutie and the Postal Service wrapped their co-headlining tour with a three-night stand in Los Angeles at the Hollywood Bowl. During the run, both of the Ben Gibbard ...
The Photo Album was the first Death Cab for Cutie album to feature charting songs, with "A Movie Script Ending" also becoming the first of three songs by the band to eventually feature on the television show The O.C.. It was the only full-length album to feature drummer Michael Schorr.