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According to Donn F. Draeger, iaijutsu is a combative art and, therefore, the warrior considered only two starting positions in the execution of a sword-drawing technique: The first technique is the low crouching posture named iai-goshi. The second is the standing posture named tachi-ai. [2]: 50
Iaidō (居合道), abbreviated iai (居合), [3] is a Japanese martial art that emphasizes being aware and capable of quickly drawing the sword and responding to sudden attacks. [ 4 ] Iaido consists of four main components: the smooth, controlled movements of drawing the sword from its scabbard (or saya ), striking or cutting an opponent ...
Japanese straight swords, 6–7th century, Kofun period, Met Museum. The chokutō (直刀, 'straight sword') is a straight, single-edged Japanese sword that was mainly produced prior to the 9th century. Its basic style is likely derived from similar swords of ancient China.
In the earliest version the sword techniques reflected the manner in which one would write the characters on paper, thus requiring mastery of only four techniques. [2] In the latest revision more techniques were added and the techniques become more elaborate. As a result, the manner of using the sword and of writing the letters may vary.
Kara-tachi sword with gilded silver fittings and inlay, imitation made in the 19th century, by Sōkichi Tamura. The Kara-tachi sword with gilded silver fittings and inlay (金銀鈿荘唐大刀, kin gin den kazari no kara-tachi) is an 8th century Japanese sword in the chokutō (直刀, lit. ' straight sword ') style.
A distinguishing feature of many kenjutsu syllabi is the use of a paired katana or daitō and wakizashi or shōtō, commonly referred to as nitōjutsu (二刀術, two sword methods). Styles that teach it are called nitōryū (二刀流, two sword school); contrast ittō-ryū (一刀流, one sword school).
The curriculum of Mugai-ryū consists of 10 techniques with a long sword and 3 techniques with a short sword. [3] Later, the techniques for duels ( shiaiguchi 試合口) were also added. An analysis of the techniques present in Mugai-ryū shows a clear influence of Ittō-ryū , so either the Yamaguchi-ryū studied by Tsuji was a derivation of ...
Originating from the sacred Wudang Mountains, a bastion of Taoist tradition, the Wudang Sword style is a blend of Daoist cultural principles and martial techniques. The art of Wudang Sword incorporates strengths from various first styles while embracing the spiritual aspects of Taoism, emphasising the cultivation of harmonious yin and yang ...