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The lute is used in a great variety of instrumental music from the Medieval to the late Baroque eras and was the most important instrument for secular music in the Renaissance. [140] During the Baroque music era, the lute was used as one of the instruments which played the basso continuo accompaniment parts. It is also an accompanying ...
The lute is used in a great variety of instrumental music from the Medieval to the late Baroque eras and was the most important instrument for secular music in the Renaissance. [3] During the Baroque music era, the lute was used as one of the instruments that played the basso continuo accompaniment parts. It is also an accompanying instrument ...
As with the lute, the player plucks or strums the strings with the right hand while "fretting" (pressing down) the strings with the left hand. The theorbo is related to the liuto attiorbato, the French théorbe des pièces, the archlute, the German baroque lute, and the angélique (or angelica).
The main differences between the archlute and the "baroque" lute of northern Europe are that the baroque lute has 11 to 13 courses, while the archlute typically has 14, [2] and the tuning of the first six courses of the baroque lute outlines a d-minor chord, while the archlute preserves the tuning of the Renaissance lute, [3] with perfect fourths surrounding a third in the middle for the first ...
Huygens had the lute sent to him on approval, but did not buy it. In 1649 Charles I gave Gaultier another Laux Maler lute, formerly belonging to the royal lutenist John Ballard. Gaultier offered this lute to Huygens, and sent it to The Hague but could not secure an expert recommendation for it from their mutual friend Mary Woodhouse. [9]
He completed his doctorate in Early Music Performance with an Emphasis on Historical Plucked Strings (lute, ... Works for Baroque lute) Polyhymnion 001, 2016 [11]
The colascione (or calascione, Italian: [kolaˈʃʃoːne], French: colachon [kɔlaˈʃɔ̃], also sometimes known as liuto della giraffa meaning giraffe-lute, a reference to its long neck) is a plucked string instrument from the late Renaissance and early Baroque periods, [1] [2] [3] with a lute-like resonant body and a very long neck.
These include the vihuela, Renaissance lute, theorbo, Renaissance and Baroque guitars and the baroque lute. His 2000 recording of the J.S. Bach sonatas and partitas for solo violin adapted for baroque lute has been called 'arguably the best you can buy of these works – on any instrument' by Gramophone magazine. [3]