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Macabre (also known as Rumah Dara or Dara) is a 2009 Indonesian slasher film by The Mo Brothers. [1] The film tells the story of a group of friends headed to the airport who meet a woman claiming to have been robbed and needs a ride home, which begins a dark turn of events. The film is based on 2007 short film Dara. [1] [2]
Ali & Ratu Ratu Queens (transl. Ali & the Queens of Queens) is a 2021 Indonesian comedy-drama film directed by Lucky Kuswandi, written by Gina S. Noer and Muhammad Zaidy and starring Iqbaal Dhiafakhri Ramadhan, Marissa Anita, Aurora Ribero and Nirina Zubir.
A Copy of My Mind is a 2015 Indonesian drama film written and directed by Joko Anwar. A low-budget co-production between Indonesia and South Korea, the film stars Tara Basro and Chicco Jerikho. At the 35th Citra Awards, the film received seven nominations, winning three: Best Director for Anwar, Best Actress for Basro, and Best Sound. [2]
Sheriff: Narko Integriti (also known as Sheriff) is a 2024 Malaysian Malay-language action thriller film directed and screenplay by Syafiq Yusof based on story by his father, Yusof Haslam who also produced the film with co-produced and distributed by Skop Productions and Astro Shaw.
He criticized the acting and story, calling it boring and a rehash of the original film, though he praised the technical aspects. He said of the film's script: "Lele seems to rather modify the script for KKN di Desa Penari , changing the names of the characters and their backgrounds, inserting elements from the '80s decade, and a mother-child ...
Harlot's Prayer (Indonesian: Tuhan, Izinkan Aku Berdosa; lit. God, Allow Me to Sin) is a 2023 Indonesian drama film directed by Hanung Bramantyo from a screenplay by Ifan Ismail, based on the 2003 novel Tuhan Izinkan Aku Menjadi Pelacur! by Muhiddin M. Dahlan.
Polis Evo 3 (English: Police Evo 3) is a 2023 Malaysian buddy cop action comedy film directed by Syafiq Yusof from the story by Joel Soh (also as co-writer) starring Zizan Razak and Shaheizy Sam who reprise their respective roles, with Sharnaaz Ahmad joining them as the main antagonist. [2]
[36] Another critic, after watching the film in Venice, wrote that Nugroho "takes a path in full line with this artistic syncretism, adding cinema as a meta-artistic structure that encompasses all the arts." In the film, according to them, "sexuality is intertwined with art, with the infinite possibility of the arts."