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Eastlake's book led to a demand in Eastlake furniture; however, Eastlake himself denied that there was an Eastlake style. This led to furniture manufacturers—who initially thought that Eastlake's ideas would be more harmful than good—to invent their own Eastlake furniture, with it reaching a point that it was "seen everywhere". [3]
Drawing of a brick wall with iron gates, from a 1790 catalog. Trade catalogs, originating in the late sixteenth and early seventeenth centuries primarily in Europe, are print catalogs which advertise products and ideas in words, illustrations, or both. [1] They included decor, ironwork, [2] furniture, and kitchenware. [3]
Kimbel & Cabus display at the 1876 Centennial Exposition. Kimbel & Cabus was a Victorian-era furniture and decorative arts firm based in New York City. The partnership was formed in 1862 between German-born cabinetmaker Anthony Kimbel (c. 1821 –1895) [1] and French-born cabinetmaker Joseph Cabus (1824–1894).
In sophisticated urban environments, walnut was a frequent choice for furniture in the Queen Anne style, [5] superseding the previously dominant oak and leading to the era being called "the age of walnut." [6] However, poplar, cherry, and maple were also used in Queen Anne style furniture. [11]
Thomas Chippendale (June 1718 – 1779) was an English woodworker in London, designing furniture in the mid-Georgian, English Rococo, and Neoclassical styles. In 1754 he published a book of his designs in a trade catalogue titled The Gentleman and Cabinet Maker's Director—the most important collection of furniture designs published in England to that point which created a mass market for ...
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