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Left photo shows a "normal", more accurate color balance, while the right side shows a "vivid" color balance, in-camera effects and no post-production besides black background. Comparison of color versions (raw, natural, white balance) of Mount Sharp (Aeolis Mons) on Mars A white-balanced image of Mount Sharp (Aeolis Mons) on Mars
In film cameras, no electronic or digital manipulation of white balance is possible in the original camera negative. Color-correction filters are an effective method of adjusting white balance. Without filtering, one must attempt to fix white balance through color timing or by manipulating the film after it has been scanned or telecined.
Darktable (stylized as darktable) is a free and open-source photography application and raw developer. Rather than being a raster graphics editor like Adobe Photoshop or GIMP, it comprises a subset of image editing operations specifically aimed at non-destructive raw image post-production.
Windows Camera is an image and video capture utility included with the most recent versions of Windows and its mobile counterpart. It has been around on Windows-based mobile devices since camera hardware was included on those devices and was introduced on Windows PCs with Windows 8, providing users for the first time a first-party built-in camera that could interact with webcam hardware. [4]
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White balance bracketing [ edit ] When shooting in a camera's raw format (if supported), white balance can be arbitrarily changed in postprocessing as well, so white balance bracketing is particularly useful for reviewing different white balance settings in the field.
The house above appears a light cream during midday, but seems to be bluish white here in the dim light before full sunrise. Note the color temperature of the sunrise in the background. Video camera operators can white-balance objects that are not white, downplaying the color of the object used for white-balancing. For instance, they can bring ...
The camera encodes its rendered image into the JPEG file using one of the standard gamma values such as 2.2, for storage and transmission. The display computer may use a color management engine to convert to a different color space (such as older Macintosh's γ = 1.8 color space) before putting pixel values into its video memory.