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An important goal of this adjustment is to render specific colors – particularly neutral colors like white or grey – correctly. Hence, the general method is sometimes called gray balance, neutral balance, or white balance. Color balance changes the overall mixture of colors in an image and is used for color correction. Generalized versions ...
Automatic white balance. A setting that uses the camera's hardware and firmware to estimate the colour temperature of the scene. [6] C1: Capture One, a software application for processing images from digital cameras. Developed by Phase One. CA: Chromatic aberration. Failure of a lens to focus all colours at the same point. [2]
In film cameras, no electronic or digital manipulation of white balance is possible in the original camera negative. Color-correction filters are an effective method of adjusting white balance. Without filtering, one must attempt to fix white balance through color timing or by manipulating the film after it has been scanned or telecined.
Various attributes of an image such as contrast, color, saturation, detail, black level, and white balance may be enhanced whether for motion pictures, videos, or still images. Color grading and color correction are often used synonymously as terms for this process and can include the generation of artistic color effects through creative ...
White balance bracketing [ edit ] When shooting in a camera's raw format (if supported), white balance can be arbitrarily changed in postprocessing as well, so white balance bracketing is particularly useful for reviewing different white balance settings in the field.
Many viewers prefer enhanced color saturation; the most accurate color isn't necessarily the most pleasing. Nevertheless, it is important to measure a camera's color response: its color shifts, saturation, and the effectiveness of its white balance algorithms. Distortion is an aberration that causes straight lines to curve. It can be ...
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Film typically assumes using separate films to account for white balance of scene (typically in two variants: for sunlight or tungsten lamps), or usage of filters. Many film cameras had a dial to help user keep track of type of film that was loaded in the camera.