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In the film and graphics industries, 3D lookup tables (3D LUTs) are used for color grading and for mapping one color space to another. They are commonly used to calculate preview colors for a monitor or digital projector of how an image will be reproduced on another display device, typically the final digitally projected image or release print ...
A Shadow Telecine in a color correction suite. The suite may have an either a non-linear editing system (NLE) or linear editing system to control the source and record device. This may be internal to the color grading device, as in a Pandora's Pogle or Da Vinci's 2k or external, as in Da Vinci's TLC (telecine controller).
The American Society of Cinematographers Color Decision List (ASC CDL) is a format for the exchange of basic primary color grading information between equipment and software from different manufacturers. The format defines the math for three functions: Slope, Offset and Power.
A photograph color graded into orange and teal, complementary colors commonly used in Hollywood films. Color grading is a post-production process common to filmmaking and video editing of altering the appearance of an image for presentation in different environments on different devices.
The type of color profile that is typically used is called an ICC profile. A cross-platform view of color management is the use of an ICC-compatible color management system. The International Color Consortium (ICC) is an industry consortium that has defined: an open standard for a Color Matching Module (CMM) at the OS level; color profiles for:
The Lustre architecture uses CPU and GPU optimizations to obtain realtime playback on high resolution files, as required for digital cinema color grading. The original control surface was the Tangent Devices CP100. Later Autodesk developed the Autodesk Control Surface manufactured by Tangent Devices.