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The prevalence of calligraphy in Islamic art is not directly related to its non-figural tradition; rather, it reflects the centrality of the notion of writing and written text in Islam. [7] Islamic calligraphy developed from two major styles: Kufic and Naskh. There are several variations of each, as well as regionally specific styles.
Sadequain was part of a broader Islamic art movement that emerged independently across North Africa and parts of Asia in the 1950s and known as the Hurufiyya movement. [13] Hurufiyah refers to the attempt by artists to combine traditional art forms, notably calligraphy as a graphic element within a contemporary artwork. [14]
Ismail Gulgee (Urdu: امین اسماعیل گل جی; 25 October 1926 – 16 December 2007), [1] also known simply as Gulgee, was a Pakistani painter. [2]Born in Peshawar, he received his early education at Lawrence College before attending Aligarh University, Columbia University, and Harvard University for higher education.
Arabic calligraphy can be on occasion be found in places of worship for Muslim's known as Mosques with engravings of Quranic verses / Ayah present on parts of the architecture itself. [16] The most widely recognized example of Arabic Calligraphy on a place of Islamic worship is the Kaaba present in Mecca, Saudi Arabia. [17]
[7] [8] [9] The Nasser D. Khalili Collection of Islamic Art includes 26,000 objects documenting arts from Islamic lands over a period of almost 1400 years. It was described in 1998 as "one of the largest and most representative collections of Quranic manuscripts in the world" [ 10 ] and is the largest private collection.
Nassar Mansour (Arabic: نصّار منصور), (born February 2, 1967), is an artist, calligrapher, academic and designer in the field of Islamic Arts, specializing in Islamic Calligraphy. He is considered to be one of the most accomplished contemporary Arab calligraphers today.