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In addition to these national and international organizations, there are also numerous regional and local organizations that support chamber music. Some of the most prominent professional American chamber music ensembles and organizations are: Chamber Music Society of Lincoln Center based in New York City; Southwest Chamber Music based in Los ...
Renard, a burlesque for 4 pantomimes and chamber orchestra (1916) L'Histoire du soldat (The Soldier's Tale), for chamber ensemble and three speakers (1918) Mavra, one-act opera (1922) Oedipus rex, 2-act opera-oratorio (1927) Perséphone, mélodrame for speaker, soloists, chorus and orchestra (1933) The Rake's Progress, 3-act opera (1951)
The Kneisel String Quartet, led by Franz Kneisel, is an example of chamber music. This American ensemble debuted Dvořák's American Quartet, Opus 96 (photographed c. 1891.) An Iranian musical ensemble, painted by Kamal-ol-molk in 1886. In Western classical music, smaller ensembles are called chamber music ensembles.
Kammersymphonie [Chamber symphony] No. 2, E ♭ minor 1906/39 39 Kol nidre for chorus and orchestra 1938 40 Variations in D minor on a recitative for Organ 1941 41 Ode to Napoleon Buonaparte for voice, piano and string quartet 1942 42 Piano Concerto: 1942 43a Theme and Variations for Band 1943 43b Theme and Variations for Orchestra 1943 44
Continuum (chamber ensemble) Crash Ensemble; D. Da Capo Chamber Players; Ding Yi Music Company; Dinosaur Annex Music Ensemble; Duo Gelland; E. Earplay (new chamber music)
Charles Tomlinson Griffes (US: / ˈ ɡ r ɪ f ə s / GRIFF-fiss; September 17, 1884 – April 8, 1920) was an American composer for piano, chamber ensembles and voice.His initial works are influenced by German Romanticism, but after he relinquished the German style, [2] his later works make him the most famous American representative of musical Impressionism, along with Charles Martin Loeffler.
The core of the orchestra is the St. Luke's Chamber Ensemble, which was founded in 1974 as an ensemble of 21 to 22 musicians. It is named for the Church of St. Luke in the Fields, Greenwich Village, in Manhattan, where the ensemble first performed. Michael Feldman, a music teacher in Manhattan, was the first de facto conductor of the ensemble.
Living Toys, Op. 9, is a composition for chamber ensemble by the English composer Thomas Adès. It was written in 1993 as a part of his MPhil portfolio in Composition at Cambridge University and premiered at the Barbican Hall in London under Oliver Knussen. [1]