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Eros and Psyche is a narrative poem with strong romantic and tragic themes: first published in 1885 by Robert Bridges.Bridges was licensed as a physician in England until 1882 when he was forced to retire due to a lung disease.
Psyche Honoured by the People (1692–1702) from a series of 12 scenes from the story by Luca Giordano. The tale of Cupid and Psyche (or "Eros and Psyche") is placed at the midpoint of Apuleius's novel, and occupies about a fifth of its total length. [6] The novel itself is a first-person narrative by the protagonist Lucius.
Eros and Psyche: A Narrative Poem in Twelve Measures (1885; 1894), a story from the Latin of Apuleius; Shorter Poems, Books I–IV (1890) Shorter Poems, Books I–V (1894) New Poems (1899) Demeter: A Mask (1905), performed in 1904 at the opening of the Somerville College Library
"The Earthly Paradise" by William Morris is an 1868 poem retelling the story of Psyche and Cupid and other myths. "Ode to Psyche" poem by John Keats in 1819 in which the narrator shares his plans to resurrect Psyche. Psyche In A Dress by Francesca Lia Block was published in 2006 as a contemporary retelling of the Psyche myth in poetic prose.
Psyche Revived by Cupid's Kiss (Italian: Amore e Psiche [aˈmoːre e ˈpsiːke]; French: Psyché ranimée par le baiser de l'Amour; Russian: Амур и Психея, romanized: Amúr i Psikhéja) is a sculpture by Italian artist Antonio Canova first commissioned in 1787 by Colonel John Campbell. [1]
Amor and Psyche, sculpted in marble during the late 18th century "Ode to Psyche" is a poem by John Keats written in spring 1819. The poem is the first of his 1819 odes, which include "Ode on a Grecian Urn" and "Ode to a Nightingale". "Ode to Psyche" is an experiment in the ode genre, and Keats's attempt at an expanded version of the sonnet ...
Pages in category "19th-century poems" ... Eros and Psyche (Robert Bridges) F. The Finding of Moses (poem) H. The Hunters of Kentucky; L. Lục Vân Tiên; Lyre and ...
Verses that also were included in Orchids were Eros and Psyche (Eros and Psyche) and Fragment; in Fragment the chimera motive is introduced and the legendary creature is compared to art. Couperus said of the chimera motive: a golden and very bright fantasy. [5] In other poems Couperus described colorful paintings and platonic love.