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Norma Bates (née Spool or Calhoun, also known simply as Mrs. Bates) is a fictional character created by American author Robert Bloch in his 1959 thriller novel Psycho.She is the deceased mother and victim of serial killer Norman Bates, who had recreated her in his mind as a murderous alternate personality.
Anthony Perkins returned to his role of Norman Bates in all three sequels, and also directed the third film. The voice of Norman Bates' mother was maintained by noted radio actress Virginia Gregg with the exception of Psycho IV, where the role was played by Olivia Hussey. Vera Miles also reprised her role of Lila Crane in Psycho II. [276]
Norma Bates may refer to: Norma Bates (Passions) , a fictional character in the soap opera Passions Norma Bates (Psycho) , a fictional character in the novel and film series Psycho
Norman Bates is a fictional character created by American author Robert Bloch as the main protagonist in his 1959 horror novel Psycho.He has an alter, Mother, who takes the form of his abusive mother, and later victim, Norma, who in his daily life runs the Bates Motel.
It serves as both the third sequel and a prequel to Alfred Hitchcock's Psycho, focusing on the early life of Norman Bates and the flashbacks that took place prior to the events of the original film. It is the fourth and final film in the original Psycho franchise, and Perkins' final appearance in the series before his death in 1992.
Norman Bates (portrayed by Freddie Highmore) [2] is the series' male protagonist. Norman is depicted as a kind-hearted but deeply troubled boy who has an often unhealthy attachment to Norma. His mother has smothered and sheltered him his whole life, to the point that he is awkward and socially inept, especially around people his own age.
Psycho III is unrelated to Robert Bloch's third Psycho novel, Psycho House, which was released in 1990. The film takes place one month after the events of Psycho II where Norman Bates is still running the Bates Motel with the corpse of Emma Spool still sitting up in the house. A suicidal nun, with whom Norman falls in love, comes to the motel ...
Matsuda theorizes that Near wrote in the Death Note to manipulate Mikami's actions in order to lead Light to his defeat. [6] In the second Death Note Rewrite special, Mikami is the one to kill the majority of SPK, Near's team of investigators, differing from the manga, in which Mello and the mafia are responsible for the SPK's deaths.