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The Resistible Rise of Arturo Ui (German: Der aufhaltsame Aufstieg des Arturo Ui), subtitled "A parable play", is a 1941 play by the German playwright Bertolt Brecht.It chronicles the rise of Arturo Ui, a fictional 1930s Chicago mobster, and his attempts to control the cauliflower racket by ruthlessly disposing of the opposition.
The Decision (play) Don Juan (Brecht) Downfall of the Egotist Johann Fatzer; Downfall of the Egotist Johann Fatzer (American premiere) Driving Out a Devil; Drums in the Night; The Duchess of Malfi (Brecht)
Stripling: What was that ideal, Mr Brecht? Brecht: The idea in the old play was a religious idea. This young people – Stripling: Did it have to do with the Communist Party? Brecht: Yes. Stripling: And discipline within the Communist Party? Brecht: Yes, yes, it is a new play, an adaptation. —"From the Testimony of Bertolt Brecht" [32]
Baal was the first full-length play written by the German modernist playwright Bertolt Brecht. [1] It concerns a wastrel youth who becomes involved in several sexual affairs and at least one murder. It was written in 1918, when Brecht was a 20-year-old student at Munich University , in response to the expressionist drama The Loner ( Der Einsame ...
The Good Person of Szechwan (German: Der gute Mensch von Sezuan, first translated less literally as The Good Man of Setzuan) [1] is a play written by the German dramatist Bertolt Brecht, in collaboration with Margarete Steffin and Ruth Berlau. [2]
Man Equals Man (German: Mann ist Mann), or A Man's a Man, is a play by the German modernist playwright Bertolt Brecht. One of Brecht's earlier works, it explores themes of war, human fungibility, and identity. [1]
Saint Joan of the Stockyards (German: Die heilige Johanna der Schlachthöfe) is a play written by the German modernist playwright Bertolt Brecht between 1929 and 1931, after the success of his musical The Threepenny Opera and during the period of his radical experimental work with the Lehrstücke.
The Exception and the Rule (German: Die Ausnahme und die Regel) is a short play by German playwright Bertolt Brecht and is one of several Lehrstücke (Teaching plays) he wrote around 1929/30. The objective of Brecht's Lehrstücke was that they be taken on tour and performed in schools or in factories to educate the masses about socialist politics.