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His paintings have been characterized by art critics as combining a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, which had a formative influence on Baroque painting. [2] [3] [4] Caravaggio employed close physical observation with a dramatic use of chiaroscuro that came to be known as ...
The Oxford High Street, depicted in a painting by JMW Turner in 1810, remains almost unchanged today, many art critics say. It's true that the buildings have remained the same, but the street is ...
Nicodemus Visiting Christ is a painting by Henry Ossawa Tanner, made in Jerusalem in 1899 during the artist's second visit to what was then Palestine. [1] The painting is biblical, featuring Nicodemus talking privately to Christ in the evening, and is an example of Tanner's nocturnal light paintings, in which the world is shown in night light.
The Nightmare (1781), by Johann Heinrich Füssli, Detroit Institute of Arts, Detroit. Symbolism, understood as a means of expression of the "symbol", that is, of a type of content, whether written, sonorous or plastic, whose purpose is to transcend matter to signify a superior order of intangible elements, has always existed in art as a human manifestation, one of whose qualities has always ...
The Four Freedoms is a series of four oil paintings made in 1943 by the American artist Norman Rockwell.The paintings—Freedom of Speech, Freedom of Worship, Freedom from Want, and Freedom from Fear—are each approximately 45.75 by 35.5 inches (116.2 by 90.2 cm), [1] and are now in the Norman Rockwell Museum in Stockbridge, Massachusetts.
Eftersommar (Late Summer) an early naturalistic work, painted by af Klint in 1903, an example of the works she exhibited to the public during her lifetime. Hilma af Klint was the fourth child of Mathilda af Klint (née Sonntag) and Captain Victor af Klint, a Swedish naval commander, and she spent summers with her family at their manor, "Hanmora", on the island of Adelsö in Lake Mälaren.
The Stages of Life (German: Die Lebensstufen) is an allegorical oil painting of 1835 by the German Romantic landscape painter Caspar David Friedrich.Completed just five years before his death, this picture, like many of his works, forms a meditation both on his own mortality and on the transience of life.
These colours are at their most concentrated in the flowers laid at the foot of Psyche's throne, which has been described as "the area of the painting most clearly 'in focus'". By contrast, the other parts of the painting towards the periphery lose focus and use darker tones, which hint at the future disasters in the story of Psyche and Cupid. [3]