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Maxwell is a 2007 British television drama about the last days of media magnate Robert Maxwell, played by David Suchet, which was originally broadcast on BBC Two. [1] The drama chronicles some of the events prior to Maxwell's mysterious death and the discovery of one of his era's biggest business frauds. Some fictional elements were added.
Maxwell is a regular participant on the alt.tv.mash newsgroup where, along with series writer Larry Gelbart (up until Gelbart's death in 2009), [4] answers fan questions about the behind-the-scenes workings of M*A*S*H. Before he began his acting career on M*A*S*H, Maxwell was one-half of
The New York Times crossword is a daily American-style crossword puzzle published in The New York Times, syndicated to more than 300 other newspapers and journals, and released online on the newspaper's website and mobile apps as part of The New York Times Games.
What Price Glory is a 1952 American Technicolor war film based on a 1924 play by Maxwell Anderson and Laurence Stallings, [3] though it used virtually none of Anderson's dialogue. [4] Originally intended as a musical, it was filmed as a straight comedy-drama, directed by John Ford and released by 20th Century Fox on August 22, 1952, in the U.S.
Maxwell Caulfield (born Maxwell P.J. Newby; 23 November 1959) is a British actor.He has appeared in Grease 2 (1982), Electric Dreams (1984), The Boys Next Door (1985), The Supernaturals (1986), Sundown: The Vampire in Retreat (1989), Waxwork 2 (1992), Gettysburg (1993), Empire Records (1995), The Real Blonde (1997), The Man Who Knew Too Little (1997), and in A Prince for Christmas (2015).
New York Confidential is a 1955 film noir crime film directed by Russell Rouse starring Broderick Crawford, Richard Conte, Marilyn Maxwell, Anne Bancroft and J. Carrol Naish. [2] Produced by Edward Small for release by Warner Bros., the film was inspired by the 1948 book New York: Confidential! by Jack Lait and Lee Mortimer.
"Dark Waters" is generating Oscar buzz — and renewed concern about potentially toxic kitchenware and other household items. The real-life story, which is in theaters now, follows Ohio attorney ...
The Real Blonde had a higher budget than DiCillo's previous work, and he claimed it was not the kind of movie the studio wanted him to make. At the time, he commented, "when they gave me the budget, they trusted me not to make a three-hour movie about two people staring at each other."