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The Celtic god Sucellus. Though the Celtic world at its height covered much of western and central Europe, it was not politically unified, nor was there any substantial central source of cultural influence or homogeneity; as a result, there was a great deal of variation in local practices of Celtic religion (although certain motifs, for example, the god Lugh, appear to have diffused throughout ...
Celtic paganism, as practised by the ancient Celts, is a descendant of Proto-Celtic paganism, itself derived from Proto-Indo-European paganism.Many deities in Celtic mythologies have cognates in other Indo-European mythologies, such as Celtic Brigantia with Roman Aurora, Vedic Ushas, and Norse Aurvandill; Welsh Arianrhod with Greek Selene, Baltic Mėnuo, and Slavic Myesyats; and Irish Danu ...
The Celts: Rich Traditions and Ancient Myths is a 1987 documentary series that examines the origins, growth, and influence of Celtic culture in Great Britain and throughout Europe. The series was directed by David Richardson, written and presented by Frank Delaney, produced by the British Broadcasting Corporation, and broadcast on BBC2.
The Celtic deities are known from a variety of sources such as written Celtic mythology, ancient places of worship, statues, engravings, religious objects, as well as place and personal names. Celtic deities can belong to two categories: general and local.
Aengus - god of passionate and romantic love, youth and poetic inspiration; Áine - goddess of parental and familial love, summer, wealth and sovereignty; Banba, Ériu and Fódla - patron goddesses of Ireland
Epona, the Celtic goddess of horses and riding, lacked a direct Roman equivalent, and is therefore one of the most persistent distinctly Celtic deities.This image comes from Germany, about 200 AD Replica of the incomplete Pillar of the Boatmen, from Paris, with four deities, including the only depiction of Cernunnos to name him (left, 2nd from top)
In Celtic mythology, the Otherworld is the realm of the deities and possibly also the dead. In Gaelic and Brittonic myth it is usually a supernatural realm of everlasting youth, beauty, health, abundance and joy. [1] It is described either as a parallel world that exists alongside our own, or as a heavenly land beyond the sea or under the earth ...
From Celtic–Germanic *b h od h wo- ('battle, fight'). [6] [5] Name of a war divinity. Also attested as a personal name in Gaulish Boduos. A term common to Celtic and Germanic, where a war-goddess is known as Badu-henna. The meaning 'crow', a bird symbolizing the carnage in battle, emerged later in Celtic languages.