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  2. Silence (Endō novel) - Wikipedia

    en.wikipedia.org/wiki/Silence_(Endō_novel)

    Silence (Japanese: 沈黙, Hepburn: Chinmoku) is a 1966 novel of theological and historical fiction by Japanese author Shūsaku Endō. It tells the story of a Jesuit missionary sent to 17th-century Japan, who endures persecution in the time of Kakure Kirishitan ("Hidden Christians") that followed the defeat of the Shimabara Rebellion .

  3. Shūsaku Endō - Wikipedia

    en.wikipedia.org/wiki/Shūsaku_Endō

    The book inspired the feature film adaptations Silence (1971) by Masahiro Shinoda, Os Olhos da Ásia (1996) by Portuguese film director João Mário Grilo, and Silence (2016) by Martin Scorsese. [23] [24] The last of these was premiered in Vatican City on November 29, 2016, and was released in the United States on December 23, 2016.

  4. Category:Novels by Shusaku Endo - Wikipedia

    en.wikipedia.org/.../Category:Novels_by_Shusaku_Endo

    Category: Novels by Shusaku Endo. 3 languages. ... Silence (Endō novel) W. Wonderful Fool This page was last edited on 6 December 2024, at 09:53 (UTC) ...

  5. Silence (2016 film) - Wikipedia

    en.wikipedia.org/wiki/Silence_(2016_film)

    Silence is a 2016 epic historical drama film directed by Martin Scorsese from a screenplay by Jay Cocks and Scorsese, based on the 1966 novel of the same name by Shūsaku Endō, marking the third filmed adaptation of the novel.

  6. Endo Shusaku Literary Museum - Wikipedia

    en.wikipedia.org/wiki/Endo_Shusaku_Literary_Museum

    The Endo Shusaku Literary Museum (遠藤周作文学館, Endō Shūsaku Bungaku-kan) is a museum dedicated to the life and work of Japanese novelist Shusaku Endo. [1] It is in the Sotome district in the northwestern part of the city of Nagasaki. Sotome is famed as the home of the hidden Christians and served as the scene for Endo's novel Silence.

  7. Symphony No. 3 (MacMillan) - Wikipedia

    en.wikipedia.org/wiki/Symphony_No._3_(MacMillan)

    For Endo, though, this silence is not absence but presence. It is the silence of accompaniment rather than "nihil". This is a notion that has many musical analogies. Music itself grows out of silence. The emptiness and solitude of a composer's silence is nevertheless pregnant with the promise of possibility and potency.