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More recently (2003), Mothibe, in a further contribution towards the cause of preservation, compiled and donated a second edition on litema designs entitled Basotho Litema Patterns (With Modifications) to the School of Design Technology and Visual Art of the Central University of Technology, Free State, providing an updated record of designs ...
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Ces quatre pays sont les anciennes colonies de l'AEF (those four nations are the former colonies of the French Equatorial Africa). Date: 1958-present: Source: Own work. This vector image was generated programmatically from geometry defined in File:Flag of the Central African Republic (construction sheet).svg. Author: User:Nightstallion: Permission
Africa Explores: 20th-Century African Art. Center for African Art, 1994. Woodward, Richard B. African Art: Virginia Museum of Fine Arts. The Museum, 2000. Roberts, Allen F., et al. Animals in African Art: from the Familiar to the Marvelous. The Museum for African Art, 1995. "Baga - Art & Life in Africa - The University of Iowa Museum of Art."
Formerly, technology restricted output and print results. Early machines used pen-and-ink plotters to produce basic hard copy. In the early 1960s, the Stromberg Carlson SC-4020 microfilm printer was used at Bell Telephone Laboratories as a plotter to produce digital computer art and animation on 35-mm microfilm.
African countries use textiles as a form of cultural expression and way of life. They use textiles to liven up the interior of a space or accentuate and decorate the body of an individual. The textile designs of African cultures involve the process of strip-woven fibers that can repeat a pattern or vary from strip to strip. [29]
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African masks often represent a spirit and it is strongly believed that the spirit of the ancestors possesses the wearer. Most African masks are made with wood, and can be decorated with: Ivory, animal hair, plant fibers (such as raffia), pigments (like kaolin), stones, and semi-precious gems also are included in the masks.