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  2. Pachelbel's Canon - Wikipedia

    en.wikipedia.org/wiki/Pachelbel's_Canon

    Other songs that make use of the Pachelbel's Canon chord progression include "Streets of London" by Ralph McTell (1974), "Gemilang" by Krakatau (1986), "Basket Case" by Green Day (1994), and "Don't Look Back in Anger" by Oasis (1996) (though with a variation at the end), while Maroon 5 used the harmonic sequence of Pachelbel's Canon (and part ...

  3. Creation (Keith Jarrett album) - Wikipedia

    en.wikipedia.org/wiki/Creation_(Keith_Jarrett_album)

    John Fordham of The Guardian wrote: "In its pensive melodies and post-Romantic chord voicings, Creation is a very different proposition to the jubilant Rio. It comprises selections from six different 2014 concert performances in four cities, reordered to make a nine-part suite that sounds like a free-flowing single work.

  4. No Ordinary World - Wikipedia

    en.wikipedia.org/wiki/No_Ordinary_World

    No Ordinary World is the seventeenth studio album by Joe Cocker, released on 8 October 1999 [2] in Europe and on 22 August 2000 in USA. The US edition of the album features two bonus tracks and has different cover artwork.

  5. Ordinary World (song) - Wikipedia

    en.wikipedia.org/wiki/Ordinary_World_(song)

    The song was nominated for Ivor Novello Award for Best Song Musically and Lyrically in May 1994. Lead vocalist Simon Le Bon sang the song with Luciano Pavarotti at a benefit concert for War Child. "Ordinary World" remains one of Duran Duran's most popular songs and, in October 2021, was their second-most streamed song in the UK. [5]

  6. No Ordinary Man - Wikipedia

    en.wikipedia.org/wiki/No_Ordinary_Man

    His best-selling album, No Ordinary Man, was certified 2× Platinum by the RIAA for shipments of two million copies in the U.S. Although not a number one, "The Keeper of the Stars" is considered one of Byrd's signature songs.

  7. Quartal and quintal harmony - Wikipedia

    en.wikipedia.org/wiki/Quartal_and_quintal_harmony

    The terms quartal and quintal imply a contrast, either compositional or perceptual, with traditional harmonic constructions based on thirds: listeners familiar with music of the common practice period are guided by tonalities constructed with familiar elements: the chords that make up major and minor scales, all in turn built from major and minor thirds.