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Oromos have therefore traditionally relied on music, poetry, and dance to express their culture, preserve identity, and resist Amharic cultural hegemony. Oromo music often relates stories of how the northern ethnic group resembled white colonizers who forcibly established political systems and exploited the Oromo people.
It has an equally long and fascinating history of arts and culture. Ethiopia and its folk music and culture have a long step in the history of civilization. The music of Ethiopia is a reflection of all the historical and social episodes, such as the military campaigns that various warlords or chiefs had to launch.
The Ethiopian traditional music embodied with strong oral-literature style. In this case, the traditional music is played by local entertainers called azmaris. Music in Ethiopia was originated, as part of Christian religious service during Yared-era in the 6th century. Muslim form called manzuma also developed in Harar and Jimma. [1]
The culture of Ethiopia is diverse and generally structured along ethnolinguistic lines. The country's Afro-Asiatic-speaking majority adhere to an amalgamation of traditions that were developed independently and through interaction with neighboring and far away civilizations, including other parts of Northeast Africa, the Arabian Peninsula, India, and Italy.
Thus, artists were able to have multiple meanings in their music. Tizita (also spelled Tezeta), the most popular style of music in Ethiopia, translates closely to nostalgia or the 'Song of Longing'. [17] With the Wax and Gold strategy, artists were able to connote their longing for a loved one to the nostalgia of Ethiopia's past or culture. [17]
Therefore, it is essential to religion life in the highland Ethiopia. Since Christianity was accepted in the Kingdom of Aksum in the 4th century, Zema has been widely incorporated with the music of the Ethiopian Orthodox Church. [1] [2] Zema also preserved among the Ethiopian Jews drawing to Christians in modern Ethiopia. [1] [3]
Pages in category "Music of Ethiopia" The following 15 pages are in this category, out of 15 total. This list may not reflect recent changes. A. Azmari; B. Bole2Harlem;
Saint Yared has been credited with the invention of the musical tradition of Ethiopian liturgical chants. [6] Yared, who lived in the sixth century, represents the first known case of indigenous Ethiopian musical notation and religious music. [7]