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Agbadza: original rhythm and dance of west Africa. Benin, Togo and Ghana use this music very well. [39] Yankadi: originating with the Mandinka people of West Africa, this slow group dance is performed by men and women, and is usually followed by the faster Macru dance. [40] [41] Gazo: the traditional music of Togo [42]
for dances common to several cultures of Africa, for undecided ethnicity, or; for cultures with only 1-2 articles, in order not to make very small categories ...
To share rhythm is to form a group consciousness, to entrain with one another, [7] to be part of the collective rhythm of life to which all are invited to contribute. [8] African ethnic groups. Yoruba dancers and drummers, for instance, express communal desires, values, and collective creativity. The drumming represents an underlying linguistic ...
It began in Alexandra and Sophiatown, two townships in Johannesburg, as groups of older men engaged in informal street dance competitions. Gradually the dance form spread throughout South Africa. [2] By the 1980s, pantsula was practiced by black South Africans of all ages and was no longer limited to men. It began to develop more political ...
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The ethnic groups of Africa number in the thousands, with each ethnicity generally having their own language (or dialect of a language) and culture. The ethnolinguistic groups include various Afroasiatic , Khoisan , Niger-Congo , and Nilo-Saharan populations.
Ukusina dance is a fundamental component of the social, religious, and cultural life of the Zulu people, [5] as evidenced by the descriptions of traditional dances in South Africa. [2] Everyone in attendance is drawn into a coherent action atmosphere by the intimate relationship between body movement and music.
The dance was not originally called "riel". The original Khoisan and San languages had mostly disappeared and in South Africa these groups mostly speak Afrikaans.The word was later borrowed from "reel", a Scottish folk dance and in Afrikaans the dance became known as the "riel".