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Bathsheba is a 1636-37 painting by the Baroque painter Artemisia Gentileschi, with contributions by Viviano Codazzi (who painted the architecture at the top left of the painting) and Domenico Gargiulo (who painted the landscape). [1] It shows the Hittite woman Bathsheba being washed and tended to by her servants. At the top left of the painting ...
Artemisia Lomi or Artemisia Gentileschi (US: / ˌ dʒ ɛ n t i ˈ l ɛ s k i /; [1] [2] Italian: [arteˈmiːzja dʒentiˈleski]; 8 July 1593 – c. 1656) was an Italian Baroque painter. Gentileschi is considered among the most accomplished 17th-century artists, initially working in the style of Caravaggio .
Bathsheba (Gentileschi) Bathsheba (Gérôme) Bathsheba (Memling) Bathsheba at her Bath (Veronese) Bathsheba at her Bath (Ricci) Bathsheba at the Fountain;
The following is an incomplete list of works by Artemisia Gentileschi. Catalogue numbers abbreviated "WB" are taken from the 1999 publication by Raymond Ward Bissell, [1] and number abbreviated "MET" are from the 2001 publication by the Metropolitan Museum of Art. Other attributions are taken from Jesse Locker's The Language of Painting.
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Artemisia Gentileschi was around twenty years of age when she painted Judith Slaying Holofernes. Previously, Gentileschi had also completed Susanna and the Elders and Madonna and Child. These artworks already give an indication of Gentileschi's skill in representing body movement and facial expressions to express emotions. X-rays undertaken on ...
Gentileschi's father, Orazio Gentileschi, was one of the first people in Italy to paint in the style of Caravaggio. [7] [6] With Gentileschi's father being her first teacher, it was not surprising that Gentileschi painted in a similar style. [6] [7] Art historians have different opinions about this version of Susanna and the Elders. [5]
The Birth of Saint John the Baptist, by Artemisia Gentileschi, was part of a six-painting portrayal of Saint John's life, with four of the paintings by Massimo Stanzione and one (now lost) by Paolo Finoglia, for the Hermitage of San Juan Bautista (Saint John the Baptist) on the grounds of Buen Rierto in Madrid, under orders from the Viceroy of Naples, the Conde de Monterrey. [1]