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In its most standard form, shout music is characterized by very fast tempo, chromatic basslines and piano/organ chords, snare hits and hand claps on the upbeat of each beat. The organist typically plays dominant 7 chords while improvising over riffs, while the pianist typically plays counter rhythms to the established rhythmic structure.
Harris was born and raised in Chicago's South Side.He began his music career playing with the city's New Friendship Missionary Baptist Church gospel choir. [3]Recalling to Modern Drummer Magazine how he started: "Harris survived being thrown to the lions thanks in part to how he got his start behind the kit – playing drums in his church’s band.
A drum beat or drum pattern is a rhythmic pattern, or repeated rhythm establishing the meter and groove through the pulse and subdivision, played on drum kits and other percussion instruments. As such a "beat" consists of multiple drum strokes occurring over multiple musical beats while the term "drum beat" [ 1 ] may also refer to a single drum ...
Go-go is a subgenre of funk music with an emphasis on specific rhythmic patterns, and live audience call and response.. Go-go was originated by African-American musicians in Washington, D.C., during the mid-1960s to late-1970s.
James Hall (born James Suggs on October 1, 1971) is an American gospel musician, organist, and music producer. Known as the “Duke of Gospel”. He started his music career, in 1994, with the release of God Is in Control with Intersound Records, and this charted on the Billboard magazine Gospel Albums chart. Hall has released six more albums ...
The album's liner notes claim: "For the first time, God is praised in song through the most contemporary musical expression: The Beat!". [16] Jesus music historian David Di Sabatino indicates that "this album is important in establishing that there were a handful of artists performing 'gospel rock' music well before Larry Norman or any other of ...
Black gospel music, often called gospel music or gospel, is the traditional music of the Black diaspora in the United States.It is rooted in the conversion of enslaved Africans to Christianity, both during and after the trans-atlantic slave trade, starting with work songs sung in the fields and, later, with religious songs sung in various church settings, later classified as Negro Spirituals ...
The Amen break is a drum break that has been widely sampled in popular music. It comes from the 1969 track "Amen, Brother" by the American soul group the Winstons, released as the B-side of the 1969 single "Color Him Father". The drum break lasts seven seconds and was performed by Gregory Coleman.