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  2. File:Chromatic scale full octave ascending and descending on ...

    en.wikipedia.org/wiki/File:Chromatic_scale_full...

    You are free: to share – to copy, distribute and transmit the work; to remix – to adapt the work; Under the following conditions: attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses ...

  3. Chromatic scale - Wikipedia

    en.wikipedia.org/wiki/Chromatic_scale

    Chromatic scale drawn as a circle The diatonic scale notes (above) and the non-scale chromatic notes (below) [2] The twelve notes of the octave—all the black and white keys in one octave on the piano—form the chromatic scale. The tones of the chromatic scale (unlike those of the major or minor scale) are all the same distance apart, one ...

  4. Category:Chromaticism - Wikipedia

    en.wikipedia.org/wiki/Category:Chromaticism

    Download QR code; Print/export Download as PDF; Printable version; In other projects ... Chromatic mediant; Chromatic scale; Color volume; D. Diatonic and chromatic; E.

  5. Omnibus progression - Wikipedia

    en.wikipedia.org/wiki/Omnibus_progression

    The progression has its origins in the various Baroque harmonizations of the descending chromatic fourth in the bass ostinato pattern of passacaglia, known as the "lament bass". [2] However, in its fullest form the omnibus progression involves a descent in the bass which traverses a whole octave and includes every note of the chromatic scale.

  6. Chromaticism - Wikipedia

    en.wikipedia.org/wiki/Chromaticism

    Chromatic fourth: lament bass bassline in Dm (D–C ♯ –C(♮)–B–B ♭ –A) The diatonic scale notes (above) and the non-scale chromatic notes (below) [1] Chromaticism is a compositional technique interspersing the primary diatonic pitches and chords with other pitches of the chromatic scale. In simple terms, within each octave ...

  7. Polymodal chromaticism - Wikipedia

    en.wikipedia.org/wiki/Polymodal_chromaticism

    In music, polymodal chromaticism is the use of any and all musical modes sharing the same tonic simultaneously or in succession and thus creating a texture involving all twelve notes of the chromatic scale (total chromatic). Alternately it is the free alteration of the other notes in a mode once its tonic has been established. [1]

  8. Richter-tuned harmonica - Wikipedia

    en.wikipedia.org/wiki/Richter-tuned_harmonica

    Blues harp. The Richter-tuned harmonica, 10-hole harmonica (in Asia) or blues harp (in America), is the most widely known type of harmonica.It is a variety of diatonic harmonica, with ten holes which offer the player 19 notes (10 holes times a draw and a blow for each hole minus one repeated note) in a three-octave range.

  9. Atonality - Wikipedia

    en.wikipedia.org/wiki/Atonality

    Atonality in its broadest sense is music that lacks a tonal center, or key. [1] Atonality, in this sense, usually describes compositions written from about the early 20th-century to the present day, where a hierarchy of harmonies focusing on a single, central triad is not used, and the notes of the chromatic scale function independently of one another. [2]