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The Lost World is a 1960 American fantasy adventure film directed by Irwin Allen, loosely based on the 1912 novel of the same name by Arthur Conan Doyle.Shot in De Luxe Color and CinemaScope, the film's plot revolves around the exploration of a plateau in Venezuela inhabited by cannibals, dinosaurs, carnivorous plants, and giant spiders.
John Henry Alvin (November 24, 1948 [1] – February 6, 2008) [2] was an American cinematic artist and painter who illustrated many movie posters. [2] Alvin created posters and key art [1] for more than 135 films, beginning with the poster for Mel Brooks's Blazing Saddles (1974). [2]
"Drain You" is a song by American rock band Nirvana, written by vocalist and guitarist, Kurt Cobain. It is the eighth track on their second album, Nevermind , released in September 1991. The song was released as a promotional single in late 1991, and also appeared as a b-side on UK retail editions of the first single from that album, " Smells ...
Lost in Space: CBS: Episodes: "My Friend, Mr. Nobody", The Hungry Sea", "Island in the Sky" and "The Reluctant Stowaway" 1966 The Tammy Grimes Show: ABC: Theme Episode: "How to Steal a Girl Even If It's Only Me" 1966–1968 The Time Tunnel: Theme Episode: "Rendezvous with Yesterday" 1968 Land of the Giants: Episode: "The Crash" CBS Playhouse: CBS
Williams elected to play up the film's jungle setting with a variety of percussion instruments (including congas, bongos, "jungle drums", gourds, log drums, and tabla). These are heard during many scenes on Isla Sorna, sometimes as a quiet rhythmic background and sometimes as an intense, grooving foundation for brassy action music.
The Lost World is a 1992 film, based on the 1912 novel The Lost World by Sir Arthur Conan Doyle. The movie is set in Africa rather than the book's setting of South America , and the character of Lord John Roxton has been replaced with a female character played by Tamara Gorski (in her film debut).
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In The Lost World, he combined animated dinosaurs with live-action footage of human beings, but at first he was able to do this only by separating the frame into two parts (also known as split screen). As work went on, O'Brien's technique grew better and he could combine live-action and stop-motion footage in the same part of the screen.