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Mary Shelley's Frankenstein; or, The Modern Prometheus (1818) has come to define Gothic fiction in the Romantic period. Frontispiece to 1831 edition shown. Gothic fiction, sometimes called Gothic horror (primarily in the 20th century), is a loose literary aesthetic of fear and haunting.
There were several origin stories of the Gothic peoples recorded by Latin and Greek authors in late antiquity (roughly 3rd–8th centuries AD), and these are relevant not only to the study of literature, but also to attempts to reconstruct the early history of the Goths, and other peoples mentioned in these stories.
A crucial source on Gothic history is the Getica of the 6th-century historian Jordanes, who may have been of Gothic descent. [31] [32] Jordanes claims to have based the Getica on an earlier lost work by Cassiodorus, but also cites material from fifteen other classical sources, including an otherwise unknown writer, Ablabius.
Concerning the origin of the Goths before the 3rd century, there is no consensus among scholars. [ 1 ] [ 2 ] It was in the 3rd century that the Goths began to be described by Roman writers as an increasingly important people north of the lower Danube and Black Sea , in the area of modern Romania , Republic of Moldova , and Ukraine .
Ann Radcliffe (née Ward; 9 July 1764 – 7 February 1823) was an English novelist, a pioneer of Gothic fiction, and a minor poet.Her technique of explaining apparently supernatural elements in her novels has been credited with gaining respectability for Gothic fiction in the 1790s. [1]
The Castle of Otranto is the first supernatural English novel and is a singularly influential work of Gothic fiction. [1] It blends elements of realist fiction with the supernatural and fantastical, establishing many of the plot devices and character types that would become typical of the Gothic novel: secret passages, clanging trapdoors ...
She is sometimes considered one of the key Irish authors in the development of gothic fiction along with Regina Maria Roche, Anne Burke, Mrs F. C. Patrick, Anna Millikin, Catharine Selden, Marianne Kenley, and Sydney Owenson (later Lady Morgan). [8] [9] [10] Her writing itself, in contrast, Baker in 1924 described as 'mediocre'. [11] [12]
The Gothic double is a literary motif which refers to the divided personality of a character. Closely linked to the Doppelgänger, which first appeared in the 1796 novel Siebenkäs by Johann Paul Richter, the double figure emerged in Gothic literature in the late 18th century due to a resurgence of interest in mythology and folklore which explored notions of duality, such as the fetch in Irish ...